Dernière Tribune(2024)

Hard to Believe(en)

A documentary that examines the issue of forced live organ harvesting from Chinese prisoners of conscience, and the response - or lack of it - around the world. It's happened before: governments killing their own citizens for their political or spiritual beliefs. But it’s never happened like this. It’s happened so often that the world doesn’t always pay attention.

Making of: Pierce Fire Trucks(de)

Kainai(en)

On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.

Whose Utopia(zh)

A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.

Hitchhiking to the Edge of Sanity(en)

A look at the turbulent social upheaval of the early 1970s which follows an idealistic writer and his soon-to-be-married photographer friend as they set out to find their purpose via a terrifying road trip across the Sahara Desert.

Martin Weill - Voyages dans l'Europe Identitaire(fr)

Endangered(en)

A sobering look at the erosion of democracy & freedom of the press in the United States and abroad.

Pierre Péan - Edwy Plenel : Les Chevaliers du journalisme français(fr)

The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

American Milo(en)

American Milo is a documentary about British journalist Milo Yiannopoulos as he spends a week in Los Angeles on a media tour. As much provocateur as journalist Milo is a unique figure in the media landscape. A flamboyant gay man with a lust for life and the limelight, he is also religious and thoughtful in his unapologetic conservative views. He is either loved or hated by those who know him and his work. He has a point of view and he forces you to have one as well, which is why he was interesting to me as a film subject. He has an honest opinion and he's not afraid to say it, and then defend it. This is becoming an increasingly rare quality in both people and the media and I wanted to capture him and this moment in the cultural zeitgeist.

Megacities(en)

Megacities is a documentary about the slums of five different metropolitan cities.

Outfoxed: Rupert Murdoch's War on Journalism(en)

This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."

Robert Scheer: Above the Fold(en)

A documentary on the six-decades long career of a muckraking journalist, who was involved with the radical 196os magazine Ramparts, with the Los Angeles Times newspaper, and later with the Internet website Truthdig.

Princess Diana: The Mourning After(en)

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

The Last Reporters(de)

North German community journalists: an endangered species. Their Mission: to find and process local stories – and the desperate search for them. Their nemesis: digitalisation. Their everyday business: amateur football, toad migrations and the community bus.

Control Room(ar)

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

Atlas(en)

The concept of machine-made knit was known as early as the 1850s, but it was only during the 1920s that the quality of the material had improved. When the plant known as "Atlas" was introduced in 1931, the shop windows drew a lot of attention, and Aho & Soldan was ordered to make a promotional film. In this well-paced film, we see the jersey production step by step.

Bricks!(en)

In 1976, the Tate Gallery exhibited an experimental artwork that became a national sensation - Carl Andre's Equivalent VIII, or, to its detractors, 120 bricks laid on the floor. This documentary explores the origins of Andre's work and the extraordinary fallout from its exhibition.

Enemy Image(en)

An examination of the how television news in the US has covered war from Vietnam to the present day

Tabloid Workers(cs)

This documentary study of the mechanisms that turn the gears of the tabloids is conducted by the unique figure Pavel Novotný. This editor-in-chief of one of the most widely read Czech media outlets of the time, providing news from the world of show business and human misfortune, gets straight to the point. Readership is a fetish, an absolute alibi for all invasions of privacy and every transgression of good ethics. Seen up close, the whole cluster of disreputable reports looks like a staged tableau. Before the eager eyes of an anxious public, celebrities willingly or unwillingly perform acts that the scrutiny of the all-powerful tabloid workers attributes racy significance to.