Diniz Galvão(NaN)

Shâd Bâsh(fr)

Sin libertad: 20 años después(es)

A Minha Avó Trelotótó(pt)

«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»

In Memoriam (La derrota conviene olvidarla)(es)

Remembering Port Chicago(en)

In California's Bay Area, a painful memory lingers of the Port Chicago disaster of WWII, when hundreds of the Navy's first Black Sailors perished, and the White officers in charge were protected by the chain of command.

Adrift by the Towers(pt)

Vila das Torres was a self-built community based on one of the largest urban gardens in Rio de Janeiro, below the energy towers of the Light Company and next to the train lines. Eight years after its removal for the construction of Parque Madureira, former residents report their memories.

Starting Place(fr)

In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.

Buck Southworth: U.S. Air Force Flight Crew(en)

In this short documentary, the life story of Buck Southworth as a U.S. Air Force aircrewman is told and narrated by his wife, Priscilla Southworth, now a Cemetery Volunteer at Cape Canaveral National Cemetery. This is a remarkable and touching documentary about bravery, mission and love.

Nighthouse(es)

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.

El pisto(es)

Hometown: A Portrait of the American Opioid Epidemic(en)

An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.

Their Houses(en)

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.

Mary Remembering(en)

A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.

E(pt)

The city and its parking lots.

In These Pages(bn)

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

Haciendo Memoria(es)

ATAVISM(en)

Within the video, two screens coexist. On the primary screen, a repetitive action takes place - the photo in the hands is periodically blurred. The focus of the viewer's attention is shifted to the secondary screen, which is more dynamic. The face in front of the camera, resembling clay, tries to take on images from archival photographs and video recordings.

I Remember Nothing(fr)

January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.

Negotiating Amnesia(en)

Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.

RE:MEMBER(en)

RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of memory, media, and history, specifically through the lens of two millennial participants. Through their testimonies and introspections, we start to see the rift between the media they were nostalgic for and the reality we currently live in. They also consider how our current attitudes towards media have shaped our previous environments and how we can change society to better our future generations.