Madagascar: The Red Island Uprising(1994)

Las Preguntas que Perdimos(es)

The Road to Patriation(en)

This feature documentary retraces the century of haggling by successive federal and provincial governments to agree on a formula to bring home the Canadian Constitution from England. This film concentrates on the politicking and lobbying that finally led to its patriation in 1982. Five prime ministers had failed before Prime Minister Pierre Elliott Trudeau took up the challenge in the early 1970s. Principal players in this documentary are federal Minister of Justice Jean Chrétien, Prime Minister Trudeau, 10 provincial premiers and a host of journalists, politicians, lawyers, and diplomats on both sides of the Atlantic.

L'heure exquise(fr)

In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.

Lost Mountain(fr)

On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.

Ergui as Mãos aos Céus e Não Havia Mais Luz(pt)

Cao Bang, les soldats sacrifiés d'Indochine(fr)

The Boy Who Can't Forget(en)

Can you remember what you were doing on 15th March 2003? Or what the weather was like on 30th May 2007? Twenty-year-old British student Aurelien can. He is one of a handful of people in the world baffling scientists with their ability to recall an incredible amount of their lives. This remarkable documentary explores the recently discovered phenomenon known as superior autobiographical memory.

History and Memory: For Akiko and Takashige(en)

This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.

Aku-Aku(en)

Documentary following the 1955–1956 Norwegian Archaeological Expedition's investigations of Polynesian history and culture at Easter Island.

Three Days in August 1914(fr)

Documentary on the atrocities the germans committed at the start of WW I in Dinant.

America at War(fr)

The United States of America has been at war for almost all of its 250 years of existence. From the wars of independence to current armed conflicts, its armed forces have not only shaped American identity, but also influenced the political decisions of its leaders. The documentary delves deep into this complex history and analyzes the hot and cold wars that shaped the development of the USA, along with lessons for the future. How have generations of Americans experienced these wars and how have their lives been changed by them? How has military engagement been used to shape the image and role of the USA on the world stage? Do military decisions today shape the world of tomorrow and what are the effects on democracy and society? And as the US president begins his new term in office, the question also arises: what role does the army play in Donald Trump's understanding of the world?

L'Épopée des gueules noires(fr)

Tricky Memory(en)

The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.

Villa Madjo(fr)

The Death of the MSZP(hu)

Until the mid 2000s, Tiszavári was one of MSZP's most important bases, but then a sharp change occurred in the city's and the electoral district's history, so much so that after 2010 it became known as Jobbik's capital city. Today it has Fidesz leadership.

Carnations(en)

Seven strangers are interviewed to talk about the relationship they have with their mother.

Ashes(es)

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Una festa per la città - Venezia 1973(it)

The Zerda or the Songs of Forgetting(fr)

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

La Bataille d'Alger, l'empreinte(fr)

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.