Rose Nunes Vive!(2024)

Daughter of the Crater(fr)

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

Nasrin(fa)

Nasrin; a wild rose, purged of its share of dry branches tries to flourish in Iran.

Bibis of 14(ca)

Through a film letter, Lara communicates with her great-grandfather Paco, whom she barely knew. She explains to him what has happened since he died.

The Golden Girls: Their Greatest Moments(en)

A 90-minute special reuniting the main cast of the American sitcom, "The Golden Girls", where they share their favorite moments from the show, behind-the-scenes footage, and plenty of laughs

Behind the Looking Glass(en)

Behind The Looking Glass is a film about the lives of women whose partners have or want to ‘transition’. While we hear a great deal of “stunning and brave” stories of men, there is a deadly silence when it comes to the stories of the wives or partners. This film will be the first of its kind in collecting such experiences of women from around the world.

Kelly(fr)

Intervenção na Cipla e Interfibra (Fábricas Ocupadas, Lula e o Capitalismo)(pt)

On May 31, 2007, hundreds of armed men, from the Federal Police, in a true war operation, pulled out of the factories, the members of the Factory Commission elected by the workers, swearing in a federal intervener. The workers and their leaders talk about their struggles, day to day in the occupied factories, the reduction of working hours from 44 to 30 hours per week, the agreement with the Chavez government of Venezuela to build a house factory, Petrocasa . They also narrate the terror during the intervention, all kinds of humiliation to which they were exposed, anguish and perspectives.

Pour Que Ses Jours Fleurissent(fr)

Six o'clock in the morning, the sun rises behind the Djurdjura mountain. With precise gestures, learned since childhood, Ouardia raises the water, crouches down to splash his face with cool water. Soon her baby will be born. Hadjila, the traditional midwife, prepares herself internally to help the mother complete the transition from separation. This film talks about the knowledge surrounding birth that Kabyle women have passed down for centuries; knowledge that European women seek to rediscover in order to reclaim this founding passage of our lives.

Na Missão, com Kadu(pt)

Lis(ca)

The reunion of a childhood friendship. Lis, a current fashion designer, meets with Caterina, a filmmaker, to jointly create the documentary and a costume for the premiere.

Luminous Shores(gn)

Reclaim Idaho(en)

With the lives of 62,000+ uninsured Idahoans at stake, a tiny grassroots team led by a married couple with a newborn and almost no political experience hit the road in a busted 1977 RV to campaign for Medicaid expansion. Somehow, it looks like they might even win.

A Woman's Place(en)

Two women discuss the roles and problems of women, education, and shopping on Fogo Island.

Between the Lines(en)

Between the Lines is a visually lyrical experimental documentary about women who cut themselves. The film is about gray areas in women’s relationship to their bodies in the context of deliberate self-harm. The women in this film negotiate the fine lines between self-destructive behavior and self-preserving coping mechanisms, as well as personal marking and the record keeping of experiences that defy language.

Now That the Sun Begins to Set(es)

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

Backlash: Misogyny in the Digital Age(fr)

This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.

Manoel Lisboa: Herói da Resistência à Ditadura(pt)

Our Body(fr)

In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.

Feminino e Barulho(pt)

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

Behind the Veil: Nuns(en)

The history of nuns mirrors the history of all women -- in what we are taught about the past, women are almost invisible. Although today's one million nuns outnumber priests two to one, they must struggle to be heard by the all-male Roman Catholic hierarchy from which they are excluded. Behind the Veil: Nuns is the first film ever to record from a global perspective the turbulent history and remarkable achievements of women in religion, from pre-Christian Celtic communities to the radical sisters of the 1980s. Contemporary nuns of strength, dignity and commitment speak of their lives and of their predecessors.