Kelly

Tan só o demo lembra(es)

Bird Woman(de)

Annedore takes care of orphan birds. They give her that which humans througout her turbulent life could never give her: love.

The Least of These(en)

Detention of immigrant children in a former medium-security prison in Texas in 2007-8 leads to controversy when three activist attorneys discover troubling conditions at the facility. This compelling documentary film explores the role – and limits – of community activism, and considers how American rights and values apply to the least powerful among us. Since the film's release, activists Bob Libal, Barbara Hines, Vanita Gupta and Michelle Brane' have remained on the front lines of the continuing battles against injustice and child detention.

A Sunday at 105(fr)

Documentary tribute from a great-grandson to his great-grandmother. In a Sunday, filmed in her daily life, Aldéa speaks of universal subjects in her own way.

Aan ons den arbeid(en)

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

I Am Trying to Remember(fa)

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

Afganistanbul(tr)

Common Ground(en)

An internet personality journeys to his hometown on the border between Texas and Mexico to visit family members, only to discover that his family’s immigration story parallels that of people risking everything to immigrate to the U.S. today.

Con Traje y Sin Zapatos(es)

New Ways(en)

This film focuses on the basics of adapting to life in England.

I'm Not From Here(es)

Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.

From Abdul To Leila(fr)

After losing part of her memory in an accident, Leila, a young French woman of Iraqi origin, reconstructs her story by reconnecting with her family and exploring her roots. Through music and cinema, she brings her exiled father's poems to lite, dis-covers the reality of the Middle East, and embarks on a personal quest to understand her identity and find her voice.

Calls from Moscow(es)

A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.

100 Per Cent White(en)

A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.

La Vie sans Brahim(fr)

On Memory(en)

Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.

Mosques - Behind the Veil(da)

With the help of hidden camera, Danish TV 2 documents how a known Danish imam teaches Muslim women about Islam's violent rules of adultery.

Blix Not Bombs(sv)

When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.

Call it the burning(fr)

One night, nine children from the same Tunisian village attempt the deadly crossing. Like a poem or a prayer, this film welcomes the words of bereaved mothers and gives dignity to their grief.