Short film about the 400th anniversary of Augsburg, Germany
Short film about the 400th anniversary of Augsburg, Germany
1930-01-01
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Short-documentary about the squat at Amandastraße 73 in Hamburg.
Documentery from 1991 where The 2 Live Crew, Chuck D (Public Enemy), Too Short, Ice-T, Geto Boys, H.W.A. drop real talk on different topics.
A building in Israeli Hebron, which has been deserted by its Palestinian occupants, is called 'The Mute's House' by the Israeli soldiers stationed there and by the tour guides who pass by daily. The building's only occupants are a deaf woman, Sahar, and her 8-year-old son, Yousef. The family's unique story, in the midst of the Israeli-Palestinian conflict, unfolds through the eyes of the young and charismatic Yousef, as he goes through his daily routine on both sides of the torn city.
Based on footage shot in the early seventies and lost for more than thirty years, we see and hear the young Bob Marley before he was famous. The film shows us the Wailers' first rehearsal, when the idea of a Jamaican supergroup was still just a dream. Sit in as the albums of Bob Marley and the Wailers brought reggae music and Rasta consciousness to the world, starting a revolution that would change rock music and contemporary culture.
Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.
Documentary that follows the lives of two pirates and their community on the Somali coastline; what are the incentives of the pirates, why did they become pirates, how did they grow up in a country with political chaos, war and extreme poverty? The narrative structure is built around two interweaving story-lines; one depicting the "present", the daily lives of the pirates and their community, and the second in the "past", revealing through epic animation, the unfolding of a recent hijacking.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
Nearly 30 years-old, Hélène still looks like a teenager. She is the author of powerful texts with corrosive humor. It is part, as she says herself, of a "badly calibrated lot, not entering anywhere". Her telepathic poetry speaks of her world and of ours. She accompanies a director who adapts her work to the theater, she talks with a mathematician ... Yet Helene can not talk or hold a pen, she has never learned to read or write. It when she turns 20 that her mother discovers that she can communicate by arranging letters on a sheet of paper. One of the many mysteries of the one that calls herself Babouillec ...
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.
In early 1970s, the graphic designer Tuulikki Pietilä had seen enough of stative visual art and purchased a film camera from Japan. She filmed the games and chores of the artist couple in their beloved hideout, the island of Klovharun.
Documentary feature about 11-time Jeopardy! champion and Internet iconoclast, Arthur Chu.
For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.
Venerable storytellers recount for the camera and their listeners the founding myths of Malagasy culture.
A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.
Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.