Amandastraße 73

The Sign of Doom(id)

The pandemic has changed many things. Including Alfia, she is a teacher who has learned a lot from the phenomenon she saw. For Alfia, trash is no longer appropriate to be disposed of in its place.

Shanti Rides Shotgun(en)

On Manhattan's jam-packed streets, NYC's most iconic driving instructor prepares students for the road ahead.

Under Stress(en)

Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.

The Case For Books(en)

This film about Library services in Australia shows some of the work of the Commonwealth Parliamentary Library, the National Library with its varied resources and examples of State, University, special and public services suggesting their value in meeting needs for information at all levels. The library movement has become a vital part of Australian life. How libraries have fitted into society all over Australia, from the bustle of Sydney's Kings Cross to the remote outback.

The Third Gender(en)

A short documentary chronicling the personal lives and narratives of Thai "ladyboys," who are born men but present themselves as women, living openly in Thai society. The film interviews ladyboys from all walks of life-- performers, filmmakers, activists-- to learn what it's like to live in a society with visible gender fluidity, and to explore if Thailand is really as open to and accepting of sexual diversity as it seems.

Dead on Their Feet(en)

A road safety film for pedestrians in city traffic. Demonstrates typical unsafe practices.

Piblokto(ru)

On the coast of the Arctic Ocean of Chukotka live people cut off from the world. Their life revolves around hunting walruses and whales and protecting villages from bears coming from the tundra. This turns the film into a reflection on death. Marine animals become the food of people, animal leftovers are used to feed arctic foxes on a fur farm, human cemeteries become prey for bears. It seems that all the inhabitants of these places are involved in the cycle of food and death. The film departs from the usual rhythmic structure of cinema, being built on the principle of a shamanic ritual, a meaning-forming event for northern peoples.

Shelter(ru)

The life of the inhabitants of a shelter near Moscow for people in a crisis situation: women with young children, the homeless, victims of abuse.

As the Crow Flies(en)

Join international snowboard professionals - Gigi Rüf , Elias Elhardt, Kazu Kokubo and Toni Kerkela - on their journey around the globe to determine which path leads to a life well-lived, always on the hunt for the best snow, the gnarliest lines, the most unique features.

What the Sea Forget(ar)

The sea is the epitome of freedom for the Palestinians. But due to the restrictions on their freedom of movement, a majority of Palestinians have for decades been denied access to the coast. In a simple but original and meaningful way, Martin Johannsen lets his protagonists recount their memories and ideas of the sea with their eyes closed, as if they had fallen into a trance-like dream. The sea becomes a mirror for reflection, where they talk about their relationship to water through living imagery. Some have never forgotten their only encounter with the sea, while others can only fantasise about what it looks like in reality.

Two Blue Balls(en)

Short documentary about the making of Twin Peaks: The Return.

Ms. Diva Trucker(en)

A long-haul trucker turns to YouTube to combat loneliness and social isolation. Under the handle “MsDivaTrucker43,” she discovers a supportive community of women who share her struggles of life in the margins. It is difficult for women in an industry that is 96% male to see themselves succeeding. Tamara's words of wisdom and encouragement offer women a model and a path forward.

Ariane Moffatt, Petites mains précieuses en studio(fr)

Walfang im südlichen Eismeer(de)

The escort vessel with the harpoon searches for whales. The sailor on the observation mast points to a whale. The whale is hit with the harpoon. The prey is pulled into the main ship with winches, where it is cut up and processed immediately.

Der Blinde und sein Hund(de)

The film offers three excerpts from the life of a working blind person. It shows in particular the extent to which the guide dog can replace the blind person's lack of sight and how this results in a relationship of loyalty between man and animal of rare intimacy.

Who Are We?(en)

On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.”The most provocative of the bunch is John Smith’s Who Are We?. Leading up to the Brexit vote, BBC’s Question Time became ever more vicious and confrontational. Who Are We? is a manipulation of one of those broadcasts, with David Dimbleby prompting “you, sir, up there on the far right” repeatedly.“Get our identity back – vote leave!” one audience member shouts, while another declares himself a veteran, followed by a swift manipulated cut to rapturous applause. It’s a heavily edited and remixed edition of Question Time, but by highlighting those in the audience with attitudes ranging from nationalistic to xenophobic, Smith’s short film shows the now normalised extremism within our society and our political discourse.” Scott Wilson, Common Space magazine, April 2017

We Will Meet in 1972 – In Dark and in Light(hu)

A television documentary about miners: the reality of their work versus how it is made to look and sound in the public sphere.

The Liberation of Paris(fr)

French Resistance's documentary during the liberation of Paris in August 1944.

Song of Umm Dalaila, the Story of the Sahrawis(en)

Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.

Shadow in the Stream(en)

Explores the natural history of the otter, depicted through the fictitious account of a day in the life of Otto the Otter and his mother. The narrator claims that the short features "the first film ever taken of an otter swimming underwater."