Essa Terra é o Meu Quilombo(2023)

Corpo Presente(pt)

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

Carta Sobre Nosso Lugar: Mulheres do Vila Nova(pt)

Madrepérola(pt)

O Meu Lugar é Jogando(pt)

A Terra E O Tempo - Vozes Do Quilombo(pt)

Black I Am(es)

The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.

Caixa D'Água: Qui-Lombo é Esse?(pt)

The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.

Para Onde Vão As Mulheres?(pt)

A Casa Tina Martins(pt)

Eterno Amor ❤(pt)

Almerinda, Uma Mulher de Trinta(pt)

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.

As Cores do Meu Reisado(pt)

Ocupação Mulheres Mirabal(pt)

Serrote do Gado Brabo(en)

Documentary realized in the Quilombola community Serrote do Gado Brabo, Pernambuco. Here are their stories and struggles.

Casa Helenira Preta de Referência para Mulher(pt)

Valley of Souls(pt)

A black family tries to defend their land against invaders but gets caught between a mischievous witch and a tortured spirit eager for revenge.

My Neighbor Flora(pt)

Alice's life changes when Laura, the daughter of her neighbor on the wall, knocks on her door to ask if she knows anything about her mother. No one has seen her for days, neither Alice nor Laura, nor the lonely residents of the building.

Firelight(en)

Incarcerated women join a band of volunteers who battle forest fires and assist during natural disasters.

505 Crime Lane(pt)

Two waitresses suffering from financial problems are convinced to participate in a robbery at the home of a famous writer without knowing that they are about to walk into a cruel trap.

Hervé Guibert, la mort propagande(fr)

From this "inexorable disease", Hervé Guibert did not recover. The miracle he had so much hoped for did not happen. But, before his death in 1991, three years after learning of his HIV-positive status, he engraved in his literary and photographic work "the places of [his] suffering", "the stations of [his] way of the cross". With his thin body and sunken cheeks, the handsome man with curly hair that he was, the one whose clear gaze radiated from the seaside photos, fought a fierce battle against AIDS. A fight of every moment against the decay of the body, observed and commented with a methodical care in his autobiographical novels, in particular "To the Friend Who Did Not Save My Life" (1990) and "The Compassionate Protocol" (1991), and of which he testified on television on the set of "Apostrophes"...