Casa Helenira Preta de Referência para Mulher(2020)

Carta Sobre Nosso Lugar: Mulheres do Vila Nova(pt)

Corpo Presente(pt)

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

O Meu Lugar é Jogando(pt)

Madrepérola(pt)

Almerinda, Uma Mulher de Trinta(pt)

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.

Black I Am(es)

The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.

Para Onde Vão As Mulheres?(pt)

A Casa Tina Martins(pt)

Essa Terra é o Meu Quilombo(pt)

Eterno Amor ❤(pt)

Ocupação Mulheres Mirabal(pt)

My Neighbor Flora(pt)

Alice's life changes when Laura, the daughter of her neighbor on the wall, knocks on her door to ask if she knows anything about her mother. No one has seen her for days, neither Alice nor Laura, nor the lonely residents of the building.

Firelight(en)

Incarcerated women join a band of volunteers who battle forest fires and assist during natural disasters.

505 Crime Lane(pt)

Two waitresses suffering from financial problems are convinced to participate in a robbery at the home of a famous writer without knowing that they are about to walk into a cruel trap.

Stories from the She Punks(en)

Loud, fearless and (un)typical girls: Gina Birch (The Raincoats) and Helen Reddington (The Chefs), musicians and punk icons turned directors, serve up a fascinating documentary built on new interviews with the women who played instruments in punk bands in the 1970s. In accounts laced with wit, honesty and insight, pioneering players including the Adverts’ Gaye Black (bass), Palmolive from The Slits (drums), Shanne Bradley from The Nips (bass), Jane Munro from The Au Pairs (bass), Hester Smith and Rachel Bor from Dolly Mixture (drums and guitar), bassist Gina and guitarist Ana Da Silva from The Raincoats, as well as many others, we hear about acquiring instruments, learning to play, forming bands and getting gigs.

Sookee(en)

„Sookee - Von Seepferdchen und Schränken“ is an intimate portrait of Sookee, a queer-feminist rapper and activist, who has been fighting sexism, homophobia and racism in German hip hop culture.

Mundial 78. La historia paralela(es)

An Artist's Eyes(en)

Expressionist painter meets existentialist surfer as legendary documentary filmmaker Jack Bond follows the journey of the brilliant young British painter, Chris Moon, as he navigates the perilous art world and a demanding, often excruciating, relationship with his work.

Dê Lembranças a Todos(pt)

Dorival Caymmi was one of the inventors of the Bahian imagination. In his 94 years of life, Caymmi composed, sang, wrote, illustrated and thought about his Bahia, even far from it. His family, partners, friends and fans remember his history, which made him one of the pillars of Brazilian culture.

To Kid or Not to Kid(en)

Filmmaker Maxine Trump turns the camera on herself and her close circle of family and friends as she confronts the idea of not having kids. While exploring the cultural pressures and harsh criticism child-free women regularly experience, as well as the personal impact this decision may have on her own relationship, Maxine meets other women reckoning with their choice: Megan, who struggles to get medical permission to undergo elective sterilization, and Victoria, who lives with the backlash of publicly acknowledging that she made a mistake when she had a child.