A Terra E O Tempo - Vozes Do Quilombo(2013)

Caixa D'Água: Qui-Lombo é Esse?(pt)

The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.

Serrote do Gado Brabo(en)

Documentary realized in the Quilombola community Serrote do Gado Brabo, Pernambuco. Here are their stories and struggles.

Essa Terra é o Meu Quilombo(pt)

Preciso Te Contar Uma Coisa(pt)

As Cores do Meu Reisado(pt)

Tempo, O Curta.(pt)

Dear, Matilda(pt)

This short film is an in-depth exploration of a young adult's personal relationship with his inner child, transcending the limitations of verbal dialogue to communicate through powerful visual elements. The narrative develops like cinematographic poetry, revealing the complexity of emotional experiences that often remained to verbal expression. Through these visual sequences we are taken on an introspective journey that explores the recesses of the creative mind and the complexities of emotional experiences that often remain inarticulate.

Just Passed...(xx)

A worker tries not to lose his mind completely with his routine and a light that prowls around his house in the early hours of the morning.

Tempus(it)

Valley of Souls(pt)

A black family tries to defend their land against invaders but gets caught between a mischievous witch and a tortured spirit eager for revenge.

TEMPO(pt)

Triz Time(pt)

Miguel and his friend build what could be the first time machine. The device is designed to send a small object a few minutes into the future—but before the final test, another object unexpectedly arrives from the future. The two young scientists disagree and must face the dilemma of whether to send the artifact back or keep it in the present, in order to prevent a quantum and personal catastrophe.

Fragmentos(pt)

Anima Kronos(it)

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Dziga and His Brothers(ru)

The fascinating and tumultuous lives of Mikhail, Boris and Denis Kaufman (better known as Dziga Vertov) are the focus of this powerful documentary. Using rare archival footage from Russian state film archives and private collections, the brothers' lives and art are traced from Bialystok to Moscow, Paris, and Hollywood.

The Force(en)

The Force presents a cinema vérité look deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.

Icarus(en)

While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.