Cartas(2018)

Human Lampshade: A Holocaust Mystery(en)

This story follows one man's quest to uncover the origins and reveal the mysteries of a possible Holocaust artifact some historians now say never existed: lampshades made of human skin. When the flood waters of Hurricane Katrina receded, they left behind a wrecked New Orleans and a strange looking lamp that an illicit dealer claimed was 'made from the skin of Jews.'

Památník Žižka(cs)

Focus | Short Film(en)

An average nobody explores the struggle of self-recognition through the lens of a photographer who has spent his life documenting everything.

2 or 3 Things I Know About Him(de)

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

FASCISM(s): A Film in Six Parts(en)

Six sequences about Fascism and its segments throughout history.

The Dead Nation(ro)

A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.

Little Girl(fr)

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

Elie Wiesel Goes Home(hu)

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?

Negra(en)

I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

Who's Afraid of Kathy Acker?(en)

Documentary tracing the extreme life of outlaw writer, performance artist and punk icon, Kathy Acker. Through animation, archival footage, interviews and dramatic reenactments, director Barbara Caspar explores Acker's colorful history, from her well-heeled upbringing to her role as the scribe of society's fringe.

"Erscheinungsform Mensch": Adolf Eichmann(de)

Documentary brings the time of the Holocaust to life and provides insight into the mind of the organizer of this crime: Adolf Eichmann. The documentary contrasts Eichmann's statements and memories - documented in the original soundtrack - directly with those of Holocaust survivors. The picture of the person and the crime is rounded off by the many contemporary witnesses who were involved either in Eichmann's arrest or the subsequent trial - such as the doctors and psychologists who looked after him, the guards and police officers through to the interrogator, the public prosecutor and the judge at the trial.

The Exiles(id)

During the 1965 mass killings to eliminate the Indonesian Communist Party, the new regime banned scholars in the Soviet Union and China, forcing them into exile across Europe. This documentary follows those displaced individuals as they navigate the Netherlands, Czech Republic, Sweden, Germany, and Indonesia, reflecting on the traumatic events that uprooted their lives.

The 43 Group: The Unfinished War(en)

The 43 Group was an English anti-fascist group set up by Jewish ex-servicemen in the immediate wake of World War II when, on their return to London, they encountered British fascist organisations such as Jeffrey Hamm’s “British League of Ex-Servicemen” and later Oswald Mosley’s reformed fascist party, the Union Movement.

Peach(es)

How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?

Mathi Schenk's Last Journey to Poland(en)

In the summer of 2001, 75-year-old Mathi Schenk made his last trip to Poland, following in the footsteps of his own past. He lives in the eastern cantons of Belgium, which were forcibly united with the German Reich after the invasion of German troops in May 1940. Those who did not volunteer for the Wehrmacht were – like Mathi Schenk – sent to war as forced soldiers for Germany. When the Warsaw Uprising broke out in August 1944, the 18-year-old arrived in the Polish capital and was assigned to the notorious SS Dirlewanger Brigade. During the 63 days of bitter fighting, which cost the lives of more than 200,000 Poles, he witnessed unimaginable atrocities against the people of Warsaw. While fleeing the Red Army, Polish farmers found the young soldier wounded in a ditch. Despite his German uniform, they hid him from the Russians in their village.

Golda Maria(fr)

In 1994, film producer Patrick Sobelman recorded the testimony of his grandmother Golda Maria Tondovska, a Polish Jewish survivor of the Shoah.

The Judge(en)

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

La identidad que hemos construido(es)

Marcela, Anabella and Estrella are three trans women who have defied the lifespan expected for a trans person. Through their recollections, one explores the memory’s strength, resistance and love for life of these three women.

Francisco Boix: A Photographer in Hell(es)

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.

The Metaphor That Became a Room(en)

The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.