How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?
How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?
2014-03-26
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I made this trip to meet you again.
A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.
A relentless journey across Uttar Pradesh, Haryana, Gujarat, Rajasthan and Jharkhand, this film documents the aftermath of a spate of mob-lynching of minority communities at a time of rising cow vigilantism and Hindu nationalism in India. It records the heart-rending testimonies of eight families affected by these incidents, which have wrenched them apart and had ripple effects of fear and uncertainty against this increasing brutality. It is an independent and crowd-funded project, with no corporate backing
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.
YouTube musician and Korean American adoptee Dan Matthews travels to South Korea to perform and reunite with his biological family, including a long lost twin he never knew he had.
Striving to build a successful life in London, Reza places an ad in a peculiar newspaper and discovers the Iranian community hidden in plain sight. Winner of the Netflix Documentary Talent Fund.
Filmmaker Jane McAllister follows her father, Yes campaigner Fraser McAllister, through the events of the 2014 referendum on Scottish independence.
As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.
On the way to creating a new future, the New Jewish Filmmaking Project is rediscovering the past. 11 young storytellers, ages 15-25, collaborated with Citizen Film’s team of documentary professionals to create a multimedia exhibit that offers a set of signposts for what Jewish identity has been and is becoming.
IF STREETS COULD TALK by Samantha Abernathey - A young filmmaker takes three generations of relatives back to their former neighborhoods in San Francisco. She asks: how does where you live(d) shape who you are?
The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.
CodeSwitching is a mash-up of personal stories from three generations of African American students who participated in a landmark voluntary desegregation program. Shuttling between their inner-city Boston neighborhoods and predominantly white suburban schools in pursuit of a better education, they find themselves swapping elements of culture, language, and behavior to fit in with their suburban counterparts – Often acting or speaking differently based on their surroundings, called code-switching.
Frustrated by watching Black patients suffer due to end-of-life healthcare inequities, two determined allies – a chaplain and a doctor – work to transform a broken medical system, one patient at a time.
In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.
A look at the world of webcam workers who find economic freedom, empowerment, intimacy and creative self expression from the comfort of their own homes.
The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.
The filmmaker’s grandmother moved into this house in 1971. When Rolande Ségalini died, everything remained as it was during her lifetime. But what to do with all the accumulated things? As her granddaughter Céline begins to film this material legacy, she realises that her grandmother has remained an enigma to her to this day. Room by room, she inventories, classes, counts, sorts the possessions retrieved from wardrobes, drawers, cabinets and boxes and arranges the objects into new still lives. It is an attempt to understand the deceased woman better and find out more about her. Step by step, the heiress discovers various connections to France’s colonial history.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.