


2010-11-14
10
6.4Detective Mater is hot on the trail of a dastardly car-napping! When Tia's sister goes missing, Mater is the only car she can turn to. With this tow truck on the case, anything can happen.
4.8Jean-Pierre Savelli is a forty-something employee of an insurance company in Clermont-Ferrand who finds himself facing a mid-life crisis. When his fiancée Valérie decides to put their relationship on hold, he changes his holiday plans and heads for the Flots Bleus camping site near Arcachon. Jean-Pierre had been hoping for peace and calm. Instead he meets Patrick Chirac and his entourage of inveterate holidaymakers...
6.8On Anna's birthday, Elsa and Kristoff are determined to give her the best celebration ever, but Elsa's icy powers may put more than just the party at risk.
6.7Teddy Duncan's middle-class family embarks on a road trip from their home in Denver to visit Mrs. Duncans Parents, the Blankenhoopers, in Palm Springs. When they find themselves stranded between Denver and Utah, they try to hitch a ride to Las Vegas with a seemingly normal older couple in a station wagon from Roswell, New Mexico. It turns out that the couple believes they are the victims of alien abduction. The Duncan's must resort to purchasing a clunker Yugo to get to Utah, have their luggage stolen in Las Vegas, and survive a zany Christmas with Grandpa and Grandma Blankenhooper.
6.8When a social worker visits Gru’s house to assess its suitability for children, chaos ensues. Margo, Edith, and Agnes, along with the ever-mischievous Minions, scramble to give the home a makeover in record time. Their attempts to create a warm and inviting environment quickly spiral into hilarity as the Minions’ unorthodox methods lead to outrageous results. This short captures the Minions’ inventive, albeit chaotic, solutions, blending humor with heartwarming moments of teamwork.
7.0Santa Claus, Mickey Mouse and all his Disney pals star in an original movie about the importance of opening your heart to the true spirit of Christmas. Stubborn old Donald tries in vain to resist the joys of the season, and Mickey and Pluto learn a great lesson about the power of friendship.
7.3A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.
6.3Looking for a much-needed break, Finn arranges a surprise vacation for his friends Rey, Poe, Rose, Chewie, BB-8, R2-D2, and C-3PO, aboard the luxurious Halcyon. However, Finn's plan to have one last hurrah together quickly goes awry.
6.8All-stars from previous installments convene in glittering Las Vegas, battling for a victory that could define their dreams and their careers.
4.5Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.
6.9Pocahontas, daughter of a Native American tribe chief, falls in love with an English soldier as colonists invade 17th century Virginia.
6.8Alicia, a circus clown, dreams of being an actress. When the circus arrives in a remote village she meets Abelito, a boy with a skin disorder that prevents him from going out in the sun. As Abelito looks forward to the circus, Alicia anxiously awaits news from Havana about a casting.
6.4In this modern telling of the classic tale, aspiring singer Katie Gibbs falls for the new boy at her performing arts high school. But Katie's wicked stepmother and stepsister are scheming to crush her dream before she can sing her way into his heart.
6.4A harried prehistoric bird mother entrusts her precious, soon-to-hatch egg to Sid. When she recommends him to her neighbours, business booms at his new egg-sitting service. However, dastardly pirate bunny, Squint, who is seeking revenge on the herd, steals, camouflages and hides all the eggs. Once again, with Squint’s twin brother assisting, Manny, Diego and the rest of the gang come to the rescue and take off on a daring mission that turns into the world’s first Easter egg hunt.
7.3Kumar Agnihotri belongs to a wealthy family, consisting of his dad, Madan, and mom, Janki. He is in love with beautiful Mala Bajpai, and they hope to marry soon with the blessings of their respective parents. Kumar's other passion is boxing, which Janki loathes, and hopes that he will give this up soon. When the Agnihotris bring home a woman named Ganga, and introduce her to Kumar as Janki's childhood friend, Kumar finds out that Ganga is his biological mother, and his father, Ajay Kumar, was the National Champion in boxing, who was killed by three men for refusing to lose a fight. While Janki is afraid that she is going her son to Ganga, Kumar has decided to avenge his biological's father's death by any means, little realizing that he may face the same fate his father did years ago.
8.0Music rules and rainbows rock as Twilight Sparkle and pals compete for the top spot in the Canterlot High "Mane Event" talent show. The girls must rock their way to the top, and outshine rival Adagio Dazzle and her band The Dazzlings, to restore harmony back to Canterlot High.
5.6This Best Short Subject Academy Award winning film begins in the spring of 1940, just before the Nazi occupation of the Benelux countries, and ends immediately after the Japanese attack on Pearl Harbor. It chronicles how the people of "Main Street America", the country's military forces, and its industrial base were completely transformed when the decision was made to gear up for war. Original footage is interspersed with contemporary newsreels and stock footage.
7.4The Doctor arrives in Victorian London. It's Christmas, but snow isn't the only thing descending on the tranquil and jubilant civilization, as familiar silver giants from an alternate reality are amassing in numbers. The Cybermen are on the move again, and the only beings who can stop them are the Doctor and... another Doctor?
10.0He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.
0.0In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.
10.0By ending the life of Jean Senac on August 30, 1973 in Algiers, his assassins believed they would silence him forever. They were wrong since his voice is a little louder every day. Witnesses to these craze: the publication of the complete works of this great poet, the countless conferences and radio broadcasts devoted to him and finally the production of films such as "Jean Sénac, the blacksmith of the sun". The moving and overwhelming testimonies of those who knew him, the unpublished film archives, the generous voice of the poet on the radio, the discovery of his travels in the territories of poetry and politics make this film a precious document on the life of Jean Senac.
10.0Jean Sénac, born in Béni Saf in Algeria in 1926 and died in Algiers in 1973, is today considered one of the great French writers and poets and the only one of his reputation to have accompanied the Algerian revolution before November 1954. part of all the debates and got involved, very early and with immense enthusiasm, in a work of commitment which ended badly. His poetry, his sexual preferences and his political lyricism work against him: rejected as much by the Pieds Noirs as by the FLN activists then by the power in place in Algiers, Jean Sénac was assassinated in 1973 at his home in Algiers, in circumstances never clarified.
10.0On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.
0.0During the Algerian war (1954-1962), some French people helped the F.L.N. in France.
7.2This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
10.0In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.
Achour is thirty. Night and day, he walks. Rebellious soul, he crisscrosses Alger and its neighborhoods, stays at friends' houses and often leaves the city to meet the nearby montain in Kabylia, his alter-ego. In this environment, marked by war and terrorism, his resistance continues, mobile and ascending. Algerian hardcore-punk musician, Achour once screamed his anger against the country's regime and sang "Anarchytecture". But the movement died down, friends went their separate ways. His Facebook wall became his notebook, his window open to the world. It represents a scream aimed towards the echo of the mountains, between virtual wall, infinite facades of large complexes and the strata of mineral cliffs. A scream comes back at us.
10.0In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
8.5These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
7.6“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
10.0Immigrated to the Paris region since 1964, Kader decides to spend the summer holidays with his family in his native village, not far from Algiers. These few weeks, so eagerly awaited by both sides, constitute a special moment full of strong emotions. The camera follows the family in their meetings, their reunions, their difficulties, their visions of the country and its region, the celebrations, the weddings, their return to France… This film raises many questions. Within this family itself, between those who stayed in the country and those who emigrated to France, how do we perceive the situation in Algeria? What hopes do each of them have for their country? What about the Franco-Algerian relationship? Contemporary immigration? The desire for exile of Algerians today? Different discourses on both sides of the Mediterranean? The desires of each of them…
0.0After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.
10.0Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
10.0“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.
0.0Documentary about sexual harassment and rape cases in French Universities and Superior Education. Many women come forward about their personal cases and how, despite the many reports, barely no action is taken.
0.0In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.
0.0On March 29, 1947, peasants armed with sticks and knives attacked the French garrisons in Madagascar. The revolt would end twenty months later with the death of the last insurgents, shot down by the expeditionary force. France, accustomed to memory lapses, knew nothing of this insurrection and its trail of torture and abuses. In Madagascar, well after independence, the events of 1947 were never discussed. For more than a generation, parents refused to speak of them to their children. It wasn't until the 1980s that the silence was broken.