Tanner Seebaum aka DJ Seebaum is a 16 year old DJ with terminal brain cancer that has come out of remission and is only given months left to live. His last wish is to DJ in Las Vegas at the world famous Rehab pool party. The film documents his courageous journey.
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Tanner Seebaum aka DJ Seebaum is a 16 year old DJ with terminal brain cancer that has come out of remission and is only given months left to live. His last wish is to DJ in Las Vegas at the world famous Rehab pool party. The film documents his courageous journey.
2015-09-05
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A DJ for Life
"Fly too high and you will burn, go too low and you won't breathe." Daedalus weaves a tale of ambition and caution through an ancient myth, set in a nation below sea level. Shot in just seven consecutive days during the summer of 2023, it concludes the first volume of Bliss, a playlist of sounds and shapes. As the master craftsman gifts his son wings and wisdom, the film delves into the perilous dance between striving for greatness and the suffocating pull of stagnancy. This chaotic exploration bridges the warnings and epiphanic thoughts of 20th-century thinkers with the responses of today's dreamers.
The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.
Games You Can’t Win explores “empathy” gaming, a new video game movement in which developers are sharing some of their most intimate or traumatic personal experiences through artful, documentary-style video games. Using a combination of intimate verité footage and video capture from the games, the short film tells the stories of three developer and the personal experiences that inspired their game.
Documentary that addresses the phenomenon known as the "destroy route" or the "bakalao route" that placed the city of Valencia in the social and musical vanguard of the late 80s and early 90s.
The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.
In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.
The daily life of the volunteers of the Compañeros de Batalla foundation, dedicated to providing support and hope to the children fighting cancer at the Pediatric Specialties Hospital in Maracaibo.
Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”
Marika has terminal cancer, with a stomach full of tumors. It’s been 10 months since she was told she has two months to live. Her first goal was to finish the season of Game of Thrones, then to make it to her next birthday. Now at her 50th birthday celebrations, easy discussion revolves around what her next goal might be, and whether or not she should have an open coffin at her funeral. The atmosphere is the opposite of morose, as everyone is laughing and at ease.
Cancer rears its head in the lives of Raymond and Raymond, a gay couple that have already had to deal with HIV/AIDS for many years. They find themselves having to reinvent their lives within a circle of friends and relationships that is not always so easy to redefine. A simple and moving story of an attempt to rebuild lives.
‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.
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Visionary musician and artist Brian Eno - known for producing David Bowie, U2, Talking Heads, among many others; pioneering the genre of ambient music; and releasing over 40 solo and collaboration albums - reveals his creative processes in this groundbreaking generative documentary: a film that's different every time it's shown.
The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.
The Common Touch tells the story of Jake Bailey, viral sensation and student of Christchurch Boys High School, who was told one week before his graduation speech about his diagnosis of life-threatening cancer.
Filmmaker Judith Helfand turns the camera on herself to document her battle with cancer caused by DES, a drug prescribed to her mother during pregnancy. Refusing to confine the tears, rage, laughter and hope to dinner table conversations, Helfand invites us to witness her personal journey from radical hysterectomy patient to vocal opponent of toxic exposure. From her suburban home to the halls of Congress, the intensely private becomes widely public, and an American family is transformed and strengthened.
Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.