Steph Jane - A Portrait Story

Introduction to Fogo Island(en)

This film introduces the Fogo Island/Newfoundland Project series which is an experiment in how film can be a catalyst for social change by serving as a direct means of communication. It gives some basic facts about Fogo Island, Newfoundland, and explains why it was chosen for the film project.

beweistheorie I(en)

A video puzzle using mathematical principles and prime numbers, daring the audience to decode it's journey.

Symphonic Sketches(en)

“Symphonic Sketches” tells the story of one classical music concert performed by the Denver Philharmonic Orchestra. Musicians from diverse racial backgrounds connect to the repertoire in unique ways and stage an unforgettable performance.

Gas Escape(es)

1972. During the government of Salvador Allende 34 artists made works that were included in the construction of the UNCTAD III building, today GAM. After the 1973 coup, few works survived looting and destruction. 40 years later, Joaquín Maruenda, son of the late sculptor Félix Maruenda, finds a record that leads him to investigate the events of the sculpture "Chimeneas" and its possible restoration. Joaquín, artists and workers involved with the construction of the building, will try to answer the question Why did they destroy the art?

2ⁿ: A Story of the Power of Numbers(en)

2ⁿ is a story about the exponential growth of numbers raised to powers. Part of the Mathematica Peep Shows, one of five films made to accompany the Mathematica: A World of Numbers and Beyond exhibition at the California Museum of Science and Industry and the Museum of Science and Industry in Chicago.

Becoming Matisse(en)

Henri Matisse's great-granddaughter Sophie traces the story of how the artist fought personal tragedies and critical ridicule to become one of the most important and influential painters of the 20th century.

O Zé Analfabeto e o Trânsito(pt)

Stuttgart, die Großstadt zwischen Wald und Reben(de)

Hans Schilling, who emigrated to Chile shortly before World War 1, comes from Valparaiso to visit his old hometown of Stuttgart after an absence of almost 22 years. His brother Georg Schilling, who stayed in Stuttgart, picks him up at the train station. He proudly shows the homecomer the prospering, Swabian metropolis, followed by impressions of the city's architecture, economy and culture.

The Years(it)

A woman gives voice to a few collected fragments of her life on the shores of Sardinia.

La Punta(th)

A short film made for "Venezia 70 - Future Reloaded."

DAS ES(ru)

The long flights of spacecraft have been in the past, as well as the chronicle of accomplishments. Snatches of memory bring to us the fragments of those memories that are confused and do not leave a coherent and consistent trace. All in the past. But was it really ?!

Københavnerbilleder(da)

Various street scenes from Copenhagen in 1907.

and now?(en)

#13, glancing, or avoiding.

Flora(es)

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Lesser Choices(en)

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

Kortknäpp(sv)

Behind the scenes of Knäppupp's 1957 tour

You Will Never See It All(cs)

Conceptual visual artist Ján Mančuška died in 2011. However, in his short 39 years of existence, he managed to create a number of remarkable works, many of which have been exhibited in renowned galleries around the world – including the Centre Pompidou in Paris and MoMA in New York. In his homeland, however, his work reflecting everyday life, social reality or the meaning of language has never achieved comparable fame. Together with the children of an artist who was not afraid to confront the public with the question of the meaning of art, the director embarks on a journey that aims not only to get closer to Mančuška, but also to reveal him in hitherto unrecognised shades, thus filling in the gaps that are increasingly appearing in the context of the fading memory of his personality.

Rue Campagne-Première(fr)

Man Ray shoots from a window on 31 bis rue Campagne-Première, in the heart of Montparnasse, where he rented a ground-floor studio.

Ady(fr)

Very brief view of Man Ray and his friend Ady Fidelin while at a seaside resort

Dance(fr)

Home movie from Man Ray featuring dancer Jenny gyrating in black and white.