Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.
This documentary covers the acid house, rave and club culture revolution in the UK and of course the chemical Methylenedioxymethamphetamine or ecstasy. This era inspired the film 24 Hour Party people and sheds light on the forgotten counter culture movement.
Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.
William Brown, a neurotic, self-absorbed musician determined to finish his prog-rock magnum opus, faces a creative roadblock in the form of a noisy and grotesque neighbor named Vlad. Finally working up the nerve to demand that Vlad keep it down, William inadvertently decapitates him. But, while attempting to cover up one murder, William’s accidental reign of terror causes victims to pile up and become undead corpses who torment and create more bloody detours on his road to prog-rock Valhalla.
Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.
Explores the life and innovations of composer and electronic music pioneer Suzanne Ciani.
This programme tells the story behind the conception, recording and release of this groundbreaking album. By use of interviews, musical demonstration, performance, archive footage and returning to the multi tracks with Ahmet Zappa and Joe Travers we discover how Frank Zappa and The Mothers of Invention created the album with the help of legendary African- American producer Tom Wilson.
The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.
Released to coincide with the 30th anniversary of this classic album, learn how Pink Floyd assembled "Dark Side of the Moon" with the aid of original engineer Alan Parsons. All four band members--Roger Waters, David Gilmour, Nick Mason, and Richard Wright--are interviewed at length, giving valuable insights into the recording process. The themes of the album are discussed at length, and the band take you back to the original multi track tapes to illustrate how they pieced together the songs. With individual performances of certain tracks from Roger, David, and Richard included, this is an essential purchase for any Pink Floyd fans, and a fascinating artefact for rock historians everywhere.
German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.
COOCUYO. To quote a Cuban comedian: “where does the Cocuyo hide its battery?”, just thanks to its peculiarity, Desiderio uses this cockroach as a perfect metaphor to describe his protagonists: with their green lights during the night and virtually impossible to find during the day. In his movie, he tries to find the battery of the Cocuyo living and looking for the “day-time” part, creating a path made by portraits and with an anti-narrative style. These scenes are far away from the Electronic music, or partly at least; all in a very natural context and without a defined screenplay. http://www.coocuyo.com/
Filmed and recorded live on his 2022 UK tour, in the coastal city of Brighton, UK, this release documents Steve and his band celebrating the 50th anniversary of the much-loved Genesis album 'Foxtrot', along with selections from Steve's solo career.
Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.
Armin Only is a Dutch all-night dance event featuring solo performance by Armin van Buuren. The event consists of various genres of electronic dance music (but most predominantly Trance Music), light, laser and firework shows and supporting acts of singers/vocalists like Racoon (2005 edition), Ilse de Lange (2006 edition) and Audrey Gallagher performing 'Big Sky' by John O'Callaghan.
"Usual thing, try and get the question in the answer" - A conversation with the band discussing recording techniques, inter cut with personal archive footage from previous album sessions.
Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes. When a mysterious threat puts all of the Trolls across the land in danger, Poppy, Branch, and their band of friends must embark on an epic quest to create harmony among the feuding Trolls to unite them against certain doom.
Zappa Plays Zappa is the name of a concert tour and band led by Dweezil Zappa, the oldest son of the late composer and musician Frank Zappa. The show is a collection of Frank Zappa's rock-oriented compositions from 1960s to 1980s. Features Dweezil on lead guitar, Napoleon Murphy Brock (sax, flute, vocals), drummer/singer Terry Bozzio and electric guitarist Steve Vai.
For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But for these two nights, the gods smile. And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could. Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. A Show of Hands. - Neil Peart
Journey through the music videos and short films from Jimmy Cauty and Bill Drummond in their various guises as The JAMs, The KLF and The Timelords, one of the most successful and subversively creative electronic bands of the early 90s.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.