Worlds Apart(2020)

Politická karikatura(cs)

Burma War Record(ja)

This film records the Japanese military's efforts to capture the Burma Road,one of the major supply lines to China, from the British beginning in December 1941. The film ends with the fall of Mandalay in May 1942.

Dárci života(cs)

Připraveni(cs)

Stráž míru(cs)

Beyond Now, Nyein(ko)

Choi Jinbae from Korea and Nyein Thazin from Myanmar are an international couple. They married seven years ago in Mandalay and, after a ceremony in Korea, planned to return. But COVID-19 left them stranded in Seoul. One day, a photo arrives from Myanmar showing a village destroyed by the coup. Urged by fellow Myanmar people to share their country's reality with the world, Choi picks up a camera. An ordinary family's life is suddenly thrust into questions of pain, solidarity, and the ethics of bearing witness.

El jardín de las delicias(es)

Everything(pl)

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

El circo(es)

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

I See in the Dark(sl)

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?

Šturm und drunk(cs)

Prefabricated Houses(cs)

A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”

Didactica Magna: Against the Grain(cs)

The film is an insight into a teacher's soul and a contemplation upon his teaching fate. This portrait of a unique, experimental filmmaker and teacher Martin Čihák takes a look at his teaching methods, his meetings with his students at FAMU and at a park where they work with film, or in his studio.

2012: Time for Change(en)

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

People in Tights(en)

An aspiring superhero, lacking powers, tries out for a real superhero team in this mockumentary.

Mudras Calling(en)

When US-raised Jaden returns to his birthplace Myanmar, to search for his roots, he discovers a shocking truth, a new love and ultimately a possible future in his homeland.

Present Moment(cs)

A film poem. A minimalist reflection on whether inner states are transferable by the film medium. The aim of a Buddhist mindfulness meditation is to clear away thoughts wandering from the past to the present, to be mindfully aware of each present moment. Each unique NOW NOW NOW passing away just like single frames while the camera grab snatches off meters of expensive 35mm material.

heroes(en)

Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.

We Were Kings (Burma's Lost Royals)(en)

In 1885 the British army invaded Burma and deposed its King. He died in exile, ending a thousand years of monarchy. The royal family vanished, and the country was plunged into war and the longest military dictatorship of modern times. But after a century of silence they are back, and they're on a journey to bring the family - past and present - back together. Filmed through three years of seismic change in Burma, this is the story of a family and a country emerging from the darkness.

Manifest(da)

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.