We Were Kings (Burma's Lost Royals)
HomePage
Overview
In 1885 the British army invaded Burma and deposed its King. He died in exile, ending a thousand years of monarchy. The royal family vanished, and the country was plunged into war and the longest military dictatorship of modern times. But after a century of silence they are back, and they're on a journey to bring the family - past and present - back together. Filmed through three years of seismic change in Burma, this is the story of a family and a country emerging from the darkness.
Release Date
2018-12-13
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
EnglishKeywords
Similar Movies
The Lady of Heaven(en)
Two stories separated by 1400 years. After losing his mother in the midst of a war-torn country, an Iraqi child learns the importance and power of patience by discovering the historical story of Lady Fatima and her suffering.
1917: La révolution russe(fr)
The History of the Pit Stop: Gone in Two Seconds(en)
The mavericks who pioneered the modern pit stop made it a raceday staple that takes less than two seconds.
In the Interstices of Reality or The Cinema of António de Macedo(pt)
He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?
The Spectre of Marxism(en)
The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at the man, at the roots of his philosophy, at the causes and explanations of his philosophical development, and at its most direct outcome: the failed Soviet Union.
Mahalaya(bn)
Since its inception in 1931, Mahishasuramardini has been one of the most popular programmes in Bengali radio, and is currently the longest running radio programme in India, narrated by Birendra Krishna Bhadra. This film is a truthful account of what unfolded in 1976, after Aakashvani decided to replace Birendra Krishna with eminent actor Uttam Kumar in a revamped programme.
The Knight of the Night(fr)
Paris, 1884. Bella Fontanges, a renowned ballerina, is married to Georges de Segar. But after just a few years together, the couple slowly sinks into weariness. Bella has forgotten what happiness used to taste like. Then a mysterious squire appears. Aware of the couple's faltering situation, he makes Bella and Georges a most astonishing proposal: he claims to be able to separate Good from Evil in Georges. Reluctant at first, the couple eventually agrees to play along. But it's not long before they realize that in Georges, it's Evil that has prevailed.
Voice Over the Bridge(en)
For the first time, traditional Burmese singers Khing Zin Shwe and Shwe Shwe Khaing are recording an album that introduces people around the world to the Maha Gita (Great Songs), which have been sung in South Asia for 700 years. They also introduce viewers to life in Myanmar, a Buddhist country of great beauty.
Farzand(en)
Maharashtra has a very well known history and in that, the period of Shivaji Maharaj is of pride to us all. Adilshah from Bijapur was the strongest enemy of Shivaji Maharaj and the ruler of Konkan and Maharashtra. Shivaji established Swaraj in these parts and set the people free from Adilshah's slavery. And hence, he became Shivaji's biggest enemy. Adilshah later, declared a war against Shivaji Maharaj and captured the Panhala fort. After several attempts for recapturing the fort, Shivaji Maharaj failed. Adilshah, being a tricky politician, appointed the brutal Beshakh Khan as the guardian of the fort. The illegal and immoral acts of Beshakh Khan was against Swaraj and a hurdle for the coronation of Shivaji Maharaj. To stop him and capture the fort of Panhala was now an issue of prestige for Shivaji Maharaj. Farzand is the movie about Shivaji Maharaj's 60 great warriors lead by Kondaji Farzand, which portrays their great achievements in capturing Panhala fort.
For All Mankind(en)
A testament to NASA's Apollo program of the 1960s and '70s. Composed of actual NASA footage of the missions and astronaut interviews, the documentary offers the viewpoint of the individuals who braved the remarkable journey to the moon and back.
Bockerer(de)
A politically naive Viennese butcher (Bockerer) manages to survive the Nazi occupation of Austria and the second world war.
Myanmar Diaries(en)
How does it feel to be forgotten by the world? A powerful collective cry denouncing the crimes of the military dictatorship installed in Myanmar after the coup perpetrated on February 1, 2021: cinema and imagination against horror and in defense of freedom.
Dirty John: The Dirty Truth(en)
John Meehan created a terrifying trap of seduction, deceit and betrayal for countless victims. The illuminating revelations into his backstory showcase a series of events that flipped switches to create a monster wired for psychopathy. Goffard exposes John’s troubled background that built the foundation for his ominous fantasy world of lies and manipulation. In addition to hearing the Newell family’s terrifying tale, John’s first wife Tonia Bales and her daughters Emily and Abigail Meehan speak out, along with other women from his past who were caught in his web of lies.
Albert Fish: In Sin He Found Salvation(en)
Albert Fish, the horrific true story of elderly cannibal, sadomasochist, and serial killer, who lured children to their deaths in Depression-era New York City. Distorting biblical tales, Albert Fish takes the themes of pain, torture, atonement and suffering literally as he preys on victims to torture and sacrifice.
Not Quite Hollywood(en)
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.