Castelos de Areia(2025)

Vietnam Story(en)

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

Last Known Interview With Zachary Weinstein (100 Years Old)(en)

I had the chance to interview a revered independent filmmaker four years after his death.

Horny Kid - A film essay(en)

The filmmaker's mother describes stories of his lustful youth over the phone, causing them to reflect on his current love life at the age of 30.

FASCISM(s): A Film in Six Parts(en)

Six sequences about Fascism and its segments throughout history.

Por Diabos(pt)

Celina y Chichi(es)

Faces of Death(en)

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

The Miranda Murders: Lost Tapes of Leonard Lake and Charles Ng(en)

Delve into the minds of serial killers Leonard Lake and Charlie Ng with this horrifying found footage film, spanning the 1983-1984 killing spree that shocked California and the nation.

AIPOKAMORHC(en)

A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.

In The Pines(id)

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

Trials and Initiation(ko)

Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.

The Allegory of The Bla Bla Bla (Video Edition)(id)

This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.

Junior War(en)

In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in the year 2000. A band plays, the kids get drunk, the boys and girls tepidly flirt, and groups deploy into cars for the purpose of destroying mailboxes, tee-peeing houses, breaking lawn ornaments, and sparring with the police. The film is composed entirely of footage Trecartin took during his senior year of high school in exurban Ohio; as such, it baits the viewer with genealogical significance.

Do Útero Ao Túmulo(pt)

memory file 01(en)

Guadalcanal Requiem(en)

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.

Folon(fr)

One of the 20th century Belgian artists who was the most idolized, exhibited, published, sold... Yet the artist himself, Jean-Michel Folon (1934-2005), whose work became controversial because deemed insipid, with its mannerisms, pastel tones and colors, remains little-known. Through previously unseen archive footage, Gaëtan de Saint-Rémy offers him a voice.

Little Red Riding Hood Told by 160 Dutch People(nl)

Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.

Routine(hu)

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.

The Red Gate: Magellan at the Gates of Death, Part I(en)

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins