Les allumés du pont Jacques-Cartier(2017)

La Coupe Stanley à Montréal en 1993(fr)

Quartiers sous tension(fr)

Les héritiers(fr)

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Les Mathématiques du Roi Heenok(fr)

The 80 Goes to Sparta(en)

This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.

Traffic Crossing Leeds Bridge(xx)

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

A Bridge at the Edge of the World(tr)

Year 1969 - in Turkey. 60s youth were living the most excited days. There was a great effort to make a bridge in Istanbul, on the Bosphorus. Meanwhile, on the eastern border of Turkey, in a Kurdish city between the borders of Iran and Iraq that is left to its destiny, in Hakkari, Zap River was taking lives since there were no passage on it.

Le dernier souffle, au cœur de l'Hôtel-Dieu de Montréal(fr)

Baggages(fr)

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

September Five at Saint-Henri(fr)

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

Snowflakes at the End of the World(fr)

Snowflakes at the End of the World offers a meditation on the beauty and ugliness of Montreal winter, and invites critical reflection on the relationship between humans and nature.

S.P.I.T.: Squeegee Punks In Traffic(en)

We follow Roach, a 17-year-old ex-junkie and squeegee punk living on the streets of Toronto and Montreal. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.

Breaking Point: Canada/Quebec - The 1995 Referendum(fr)

BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.

Lorraine Pintal - So The Light Never Dies(fr)

Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.

The Perfect Storm: Story of the 1994 Montreal Expos(en)

In 1994, the Montreal Expos held the best record in baseball until the mid-August strike and the entire post-season was cancelled.  The team never found success again, and in 2004, the franchise was forced to leave Montreal and move to Washington. This film provides access to powerful behind-the-scenes footage – ranging from the players’ bus ride to the stadium, to their emotional reactions stepping onto the field, to the Montreal fans who have never forgotten baseball’s best team in 1994. Interviews with media who followed the team’s season and discussions with former coaches and players will paint both a thrilling and heartbreaking picture of the influential ‘94 Montreal Expos – a groundbreaking squad whose legacy lives on in Montreal 

My Name Is Susan Yee(en)

Young Chinese-Canadian Susan Yee gives a tour of Montreal.

Maillart's Bridges(de)

Famed Swiss architect and artist Robert Maillart was renowned for his concrete bridges; this documentary examines the elegant design of his engineering masterpieces, which, the film argues, embrace both functionality and aesthetics. Instead of following a traditional journalistic structure, director Heinz Emigholz's spellbinding film reads more like ethereal visual poetry, allowing the beauty of Maillart's work to speak for itself.

Black Hands: Trial of the Arsonist Slave(fr)

Investigating slavery in Canada through the story of Marie-Josèphe Angélique, a Black slave accused of burning Montreal in 1734. After an epic trial, this untameable slave is tortured and sentenced to death. But was she really guilty of this crime or was she the victim of a bigger conspiracy? Why this voluntary amnesia about this unknown page of Canadian history?

Coller pour crier(fr)

On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.

Show Girls(en)

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.