The 80 Goes to Sparta(1969)

Fredy(fr)

Memories to Choke On, Drinks to Wash Them Down(cn)

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

Return Home(en)

After the near death of her grandfather, Chinese Canadian filmmaker Michelle Wong embarks on a personal journey back home to her small town of St. Paul, Alberta to speak to her grandparents about their journey from China to Canada.

Les héritiers(fr)

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Quartiers sous tension(fr)

Le dernier souffle, au cœur de l'Hôtel-Dieu de Montréal(fr)

The Sketch(fr)

Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.

The Perfect Storm: Story of the 1994 Montreal Expos(en)

In 1994, the Montreal Expos held the best record in baseball until the mid-August strike and the entire post-season was cancelled.  The team never found success again, and in 2004, the franchise was forced to leave Montreal and move to Washington. This film provides access to powerful behind-the-scenes footage – ranging from the players’ bus ride to the stadium, to their emotional reactions stepping onto the field, to the Montreal fans who have never forgotten baseball’s best team in 1994. Interviews with media who followed the team’s season and discussions with former coaches and players will paint both a thrilling and heartbreaking picture of the influential ‘94 Montreal Expos – a groundbreaking squad whose legacy lives on in Montreal 

Interchange(en)

Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.

Baggages(fr)

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

Naked Cinema(el)

In the early 70s Greek cinema entered in a period of crisis. One of its aspects was said "crisis of issues" and one of the exits heard in the name "erotic cinema". The genre was already acquaintance from the abundance of foreigner films, that was distributed in the grindhouses under the "adults only" motto and its Greek version had a lot of variants.

By Woman's Hand(en)

In 1920 a group of young Montreal women artists formed the nucleus of what would later become known as the Beaver Hall Hill Group. Members recount how they created an artistic environment of mutual support that lasted for more than three decades.

Undocumented in the Pandemic(en)

With The Marshall Project and the Pulitzer Center, a look at one immigrant mother’s struggle to keep her children safe and housed, with her husband detained by ICE in a facility where COVID is spreading. Also in this two-part hour, Love, Life & the Virus.

Refuge(e)(en)

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

No entry(fr)

Prohibited, abandoned, and unexplored sites are hidden and sealed in Montreal. Entering defies the law, danger, and death. The urbex community is an even better-kept secret. Enter into this universe at your peril.

The Donut King(en)

Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.

Corno(fr)

A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.

Becoming American(en)

Hang Sou and his family, preliterate tribal farmers, await resettlement in a refugee camp in Thailand after fleeing their war-consumed native Laos. "Becoming American" records their odyssey as they travel to and resettle in the United States. As they face nine months of intense culture shock, prejudice, and gradual adaptation to their new home in Seattle, the family provides a rare insight into refugee resettlement and cultural diversity issues.

Sylvie's Story(en)

This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.

Le patro Le Prévost - 80 Years Later(en)

Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.