

Traffic Crossing Leeds Bridge(1888)
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Movie: Traffic Crossing Leeds Bridge
Video Trailer Traffic Crossing Leeds Bridge
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Accordion Player(xx)
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

Man Walking Around a Corner(xx)
The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

Roundhay Garden Scene(en)
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Workers Leaving the Lumière Factory(fr)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Blood Feast(en)
In the sleepy suburbs of Miami, seemingly normal Egyptian immigrant Fuad Ramses runs a successful catering business. He also murders young women and plans to use their body parts to revive the goddess Ishtar. The insane Ramses hypnotizes a socialite in order to land a job catering a party for her debutante daughter, Suzette Fremont, and turns the event into an evening of gruesome deaths, bloody dismemberment and ritual sacrifice.

Hell's Angels(en)
When the Great War breaks out, brothers Roy and Monte Rutledge, each attending Oxford University, enlist with the Royal Flying Corps.

The Mechanical Butcher(fr)
A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale.

Flight of the Large Blue Fly(xx)
Chronophotographic short film, possibly species Protophormia terraenovae, c. 1904-1905.

Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses(xx)
Alleged silent black-and-white short film shot at Apsley Gate, Hyde Park, London. It was claimed to be the first motion picture until pre-dating footage shot by Louis Le Prince was discovered. It was never publicly shown and is now considered a lost film with no known surviving prints or stills.

The Centaurs(en)
A female centaur enters a clearing in the woods and picks flowers. She is met by a male centaur and the two romance each other. They then seek parental consent for their union. Surviving footage of a now lost film.

The Magnificent Seven(en)
An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.

Lilo & Stitch 2: Stitch Has a Glitch(en)
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The Revenge of Frankenstein(en)
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My Night at Maud's(fr)
The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

Juror #2(en)
While serving as a juror in a high profile murder trial, family man Justin Kemp finds himself struggling with a serious moral dilemma…one he could use to sway the jury verdict and potentially convict—or free—the accused killer.

The Kids Are Alright: Destination Asturias(es)
When Ricardo, a responsible father, decides to personally take his son to a camp in Asturias, other parents propose that he should also take care of their children. When the train is about to leave, Felipe, a flamboyant individual and grandfather of two of the children, shows up at the station.

Spartacus(en)
The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes.

Fallen Angels(cn)
An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.

Five Easy Pieces(en)
A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.

Two Worlds(fr)
A French tradesman travels in time and liberates an oppressed tribe in another world.
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Workers Leaving the Lumière Factory(fr)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

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