Fake Fiction(2018)

Blockbuster Where a Giant Monster Destroys a Town(en)

In a village of Cuba devastated after trying to imitate the north american suburb model, a sound recorder tries to tape sounds for an incoming blockbuster about a giant monster that destroys a whole town.

Alaska(de)

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.

Inuyasha - Stage Play(ja)

Stage play adaptation of internationally acclaimed Japanese manga artist Rumiko Takahashi's fantasy manga series Inuyasha performed at The Galaxy Theatre in Tokyo. The series begins with Kagome Higurashi, a fifteen-year-old middle school girl from modern-day Tokyo who is transported to the Sengoku period after falling into a well in her family shrine, where she meets the half-dog demon, half-human Inuyasha. After the sacred Shikon Jewel re-emerges from deep inside Kagome's body, she inadvertently shatters it into dozens of fragments that scatter across Japan. Inuyasha and Kagome set out to recover Jewel's fragments, and through their quest, they are joined by the lecherous monk Miroku, the demon slayer Sango, and the fox demon Shippō. Together, they journey to restore the Shikon Jewel before it falls into the hands of the evil half-demon Naraku.

Visions of a City(en)

Sepia toning lends a romantic (even wistful) quality to Larry Jordan's film Visions of a City, which he shot in San Francisco in 1957 and edited in 1978. The pace is un-irritating, in contrast to the San Francisco of today; but unlike the equal weight Helen Levill gives to all her subjects, there is an internal evolutionary development in the Jordan film that ultimately delivers a story. Until the introduction of the human protagonist, poet Michael McClure, we are treated to an extravagant display of visual delights.

Blin Cat(ru)

A video essay about a conversation the director had with a friend about a particular picture of a cat sitting in front of a plate of blins.

Disposable love(es)

In home-movies shot in the ‘90s by her father, the filmmaker discovers in these inherited images powerful fictions of the Argentinian middle class and the country’s recent history.

Underwater Guest(ru)

Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.

The Gardener of Eden(en)

An old man (artist and landscape architect Bevis Bawa) contemplates the Garden of Eden.

Jane(en)

Someone said to me, of this film, that it was really about light; but Jane (who takes it as a portrait – i. e., sees herself in it) said: You gave me the moon and seven stars... and I signed this film, simply, Stan.

Borges: A Life in Poetry(it)

A peculiar portrait of the Argentinean writer Jorge Luis Borges (1899-1986) drawn by the extravagant and original look of the Spanish writer Fernando Arrabal, who establishes a bold parallelism between Borges' work and opinions and his own creations, both literary and cinematographic.

Vévodkyně a kuchařka(cs)

Noctiluca(en)

Otherwise known as Magellan's Toys #1. Hollis Frampton's "Noctiluca" was a film designed to be shown on the second day of the Magellan cycle, the filmmaker's unfinished magnum opus work. The title (nox/luceo) means something that shines by night, i.e., the moon, and the film indeed consists of a bright sphere, sometimes white, sometimes tinted, sometimes single, sometimes doubled and overlapped.

Everything or Nothing(sh)

A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.

The Making of Michel Petite(tr)

The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.

Richard III(de)

Richard of Gloucester uses murder and manipulation to claim England's throne.

Celestial Night: a film on visibility(en)

Celestial Night is a film on visibility and questions what it means to see. It is a film about what is invisible apart from the imagination: Celestial Night is a film dealing with this vital power, the ability to envision. It is a search in present day Japan for the mythical Japanese Emperor Amayonomikoto who was blind, and the story of a time when seeing was not believing.

Lui, lei e il nonno(it)

O kuruckej vojně(cs)

Outer Space(de)

A young woman move towards a house that holds a potentially dangerous spirit that has been tormenting her. The woman tries to fight against the film itself as it starts to cause the world to collapse.

Study IV: Liberation(sv)

A surrealistic and symbolic depiction of the liberation of the self in a series of associative scenes. The main character moves between different rooms, rooms of significance for him, dragging something that constantly changes form but eventually turns out to be himself. It is an old and consumed I that disappears from him.