
Kadri Kıran (Landlord) / (Self)
(Self)
(Self)
(Self)
(Self)
(Self)
Historian (Self)
Writer (Self)
Cafe Owner

The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.
2025-11-01
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0.0An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.
6.8Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
7.3Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.
3.0An irreverent group of teens - Thirty, Whoopie, Headguy, Pinky, Stinky, Jumbo, Giggles, and James - are thrown into a two-day panic-induced adventure after one of them discovers she's pregnant.
5.0The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
0.0Kim Kuzin was a very famous person in the USSR. He was born as the 4-billionth baby in 1974 and, from his very birth, he became the symbol of all the children of the USSR. In this fictional mockumentary, we will attempt to find Kim Kuzin today and to make a historical interview with him.
4.7"Like a Dream That Vanishes" continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses (Your life is like a candle burning). Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles.
4.9Twenty-five films from twenty-five European countries by twenty-five European directors.
0.0Chronicles the events that lead to Charlie Charlison's untimely death employing a cinéma vérité approach.
0.0An Australian icon found on every supermarket shelf, and coating every game day pack of hot chips. But the story of the South Australian man who invented the famous Chicken Salt has never been told. While he sold the company in the late 70’s to the brand names you see in your cupboard today, he maintains that the original recipe, held secret for more than 40 years, tastes even better.
0.0A troubled filmmaker struggles to watch his own film in a cinema inside his head, along with a made-up audience that negatively reacts to his film, State of Matter.
5.1When Norman Graysmith is invited into the home of an aspiring serial killer, Aidan Mendle, he believes he has the subject for the documentary that will make his career.
The Black Album places scrutiny on the notion of "Black Excellence" in a revisionist take.
0.0In 1970, Christian Ghazi and Noureddine Chatti met with a number of Arab political figures, especially Palestinians residing in Lebanon, resulting in this piece of armed (alternative or third) cinema that captures a crucial cross-section of the Palestinian resistance in Lebanon in 1970. The film features footage of Ghassan Kanafani, Sadiq Jalal El-Azm, Nabil Shaath and other personalities who share their vision of the Palestinian revolution, tracing its history back to the early 20th century. These testimonies describe the numerous strikes and popular protests that took place in Palestine under the Ottoman occupation, followed by the British colonization and the settlement of the Jewish state in 1948. They enumerate the objectives of the struggle, emphasising the necessity for a free and democratic Palestine, defended through armed or non-armed struggle by all its citizens, men and women of various affiliations.
6.5Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.
6.5The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo, all the while deconstructing the conventions and archetypes of the horror genre for them.
"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González
6.0In PATH OF CESSATION the image that is communicated to us by Fulton is a highly mystifying one. Rather than analyze, or enter into a dialogue with the Tibetan culture that he photographs, Fulton has succumbed to it, and through the process has presented us a work of great surface, as well as formal, beauty.