A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.
1968-01-01
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The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
The Focus is the film about easy death on the Mediterranean sun.
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.
In the final days of the American Civil War, an emigre Hungarian military officer attempts to map the situation of the enemy. Many veterans of the 1848 War of Independence in Hungary fought on the northern side. Experienced Fiala, Boldogh who struggles with homesickness and the reckless Vereczky all experience their enforced emigration in different ways and news of impending peace elicits different reactions from them all.
In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver -- a man who has had some very unusual, puzzling, and inspirational experiences -- and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi
Engel und Puppe is the first film by Italian filmmaker and writer Ellis Donda. Screened at Oberhausen in 1975, Engel und Puppe is a political adaptation of some lines from Rilke's Duino Elegies, featuring the French poet Jacqueline Risset and a young Rossella Or (soon to become an avant-garde theatre actress).
A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.
A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.
Between a man and his lover lies a wall, between the man and the country he loves lies another wall. Can a one-sided dialouge breaks the walls and expresses the man’s feelings and sentiments? Or does the lover or the country wants the wall to be broken in the first place? This short was inspired by Amy Len’s dance choreography “Wall” and colloborated with Loh Bok Lai. The dance was originally choreographed for a performance in Japan Dance Wave Fukuoka ‘06 - Asian Contemporary Dance Now and later made into an experimental video combining elements of an actor and monologue. The video footages were also used for the dance piece itself in KL.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months.
Suzanne is waking up. In the fleeting moments before she forgets her dreams, she searches her subconscious for an answer to the question on the tip of her tongue. But can Suzanne learn to break free of her suspended state of being? Inspired by the Edward Hopper painting 'Morning Sun.'
A self-portrait short film on 16mm from a trans male perspective.
A boy who finished school and spends time at home, between routine and sleep, during the COVID-19 pandemic.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...