The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
Himself
Himself
Herself
Herself (Harriet Hartley)
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
1888-10-14
6.3
A group of Satanic hippies wreak havoc on a small town where a young boy, whose sister and grandfather were victimized by them, tries to get even - with deadly results.
Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.
The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.
A spree of grisly murders is perpetrated in Frankfurt by a group of Satan worshippers. A lonely schoolteacher almost runs over an elderly man and takes him in, unbeknown to her the man has plans for her – plans that involve a permanent future with the Satanic cult.
2112; the summer before Akane Tsunemori was assigned to Division One of the Public Safety Bureau's Criminal Investigation Department. Teppei Sugo, an accomplished pilot of the Defense Army's 15th Integrated Task Force, joins the military operation in Okinawa. Three months later, an unmanned combat drone opens fire on the Ministry of Defense in Tokyo. Enforcer Tomomi Masaoka of CID Division One is dispatched to Sugo's military base to investigate the truth behind this case.
Carlos sweeps and mops the floor of an old-time barbershop. The day before Independence Day, among the customers is Julio. Their eyes meet, and when the barbershop closes Julio comes back for Carlos. They spend the night together, eating, chatting and even dancing, knowing full well that this encounter will be brief and short-lived.
Eddie Izzard's routine has a loose trajectory from the beginning of the Old Testament and the creation of the world in seven days to Revelations. Along the way, we learn of the search for a career, bad giraffes, Prince Philip's gaffes, toilets in French campsites, the mysteries of hopscotch, becoming one's Dad and tranny bashing.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
A woman in a Catholic brotherhood in the south of Spain tries to be president in a world traditionally reserved to men.
Made in 1912, this film has become known as one of the greatest pieces of pre-Soviet cinema. The silent film tells the story of the Patriotic war of 1812 when Napoleon attempted to invade Russia. This joint French and Russian film sparked major excitement in Moscow at its premier screening and continues to entertain audiences throughout the world today. The 32-minute silent film was the point of origin for some of the more advanced camera techniques used today. Sirotin of the Voice of Russia said that, “The film is interesting to spectators even today and is frequently shown both in Russia and abroad.”
A behind-the-scenes look at the making of Stephen Spielberg's "Catch Me If You Can."
A look at legendary Japanese animator Hayao Miyazaki following his retirement in 2013.
The fairy at a cabbage patch hovers over the babies. This is a remake of Guy's 1896 film on the same subject, this time shot in 35 mm.
In a medieval castle, a dark magician thought to be Mephistopheles conjures up a series of bizarre creatures and events in order to torment a pair of interloping cavaliers.
Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets' deaths seem like accidents, thinks himself an artist. It's made him very rich, but as he hits middle age, he's so depressed and lonely that he takes on one of his victim's sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he'll discover who killed his father.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Mickey Mouse, piloting a steamboat, delights his passenger, Minnie, by making musical instruments out of the menagerie on deck.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Documentary on oil exploration, the phase before drilling.
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Kianoush Ayari’s film captures rare scenes of everyday life on the streets of Tehran in the months following the revolution of 1979.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Ever reached into your pocket to find your phone had been snatched? Dutch film student and former iPhone owner Anthony van der Meer experienced that awful feeling first-hand while having lunch in Amsterdam. Unsatisfied with the response from the Amsterdam police, who register an average of 300 stolen phones per week, Meer decided to find out what kind of person steals a phone. He downloaded DIY security software on a decoy Android phone, intentionally got the phone stolen, and was able to spy on his thief for weeks. He recorded the ups and downs of his covert investigation and turned it into a 22-minute documentary called Find My Phone.
A young trans man tells his story on a early morning journey to Coney Island.
Director Jean-Claude Brisseau discusses the making of his film Les anges exterminateurs (2006) in an interview.
Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.