

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22
6.672
7.1A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
6.8A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.
5.5A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.
6.3Sara is an overweight teen who lives in the shadow of a clique of cool girls holidaying in her village. Not even her childhood friend, Claudia, defends her when she's bullied at the local pool in front of an unknown man. Her clothes are stolen and Sara must get home wearing nothing but her bikini.
5.0The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.
6.5Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.
4.9Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.
6.9A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
6.0A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.
5.8Shot in 1896, this playful actuality captures workers from the Lumière factory in Lyon competing in a sack race. The scene shows the participants’ comic struggles and falls, with onlookers enjoying the lighthearted contest. Beyond its humor, the film offers a glimpse of everyday leisure and camaraderie among the Lumière workforce during cinema’s earliest years.
5.3Down the gangway, photographers leave the deck of a riverboat in large numbers.
5.5A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.
5.3She was tall, dark and thin, with a proud and voluptuous bust. They called her "The she-wolf" because she seemed never to be satisfied. All the men were obsessed with her but one day the she-wolf fell madly in love with young Nanni.
5.2In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.
5.8Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.
6.0A jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll's "Alice in Wonderland." The caterpillar and the queen make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice asks, "Who has had such a curious dream?"
5.8In a city with constant movement like the subway rides, the paths of Andrés and Miguel are crossing. It seems like the beginning of a new Romance but Andrés doesn't know which direction to take.
7.0A magazine writer poses as a Jew to expose anti-Semitism.
7.0The two remaining crew members of a mining operation in the Arctic Circle fight to survive against an alien creature.
7.2Zeitgeist: Addendum premiered at the 5th Annual Artivist Film Festival. Director Peter Joseph stated: "The failure of our world to resolve the issues of war, poverty, and corruption, rests within a gross ignorance about what guides human behavior to begin with. It address the true source of the instability in our society, while offering the only fundamental, long-term solution."
6.4Follow the launch of Lamborghini’s career as a manufacturer of tractors, a creator of military vehicles during World War II, and the designer of Lamborghini cars, which he launched in 1963 as the high-end sports car company Automobili Lamborghini.
0.0People with learning disabilities often experience worse physical and mental health. This film is a starting point to address these inequalities.
4.0Redheads. Fire crotches… This film collects samples of their testimonials and their body hair and skin. About being different genetically, about gay gingers, doubly in a minority, from Ireland to Israel to Brazil. A film made especially for ginger lovers.
0.0Daniela, a young woman coming out of a breakup, moves to Lisbon for a few months. Feeling lonely, she starts dating Diogo, a happy-go-lucky guy she meets on Tinder. They get to know each other as they explore solitude, love, and friendship, aware that they will soon part ways.
2.5A video essay by Mark Rappaport, which spans René Magritte and Michelangelo to Bonnie & Clyde. Let’s mask up to rob a bank! But make sure that you are home before the curfew.
6.71907. Magnifica, young Costa Rican harpist, is preparing for her concert at the Royal Conservatory of Brussels where she studies with her fiancé. Inspired by the life of Pacifica Zelaya.
5.012 years later, a failed school short film is resignified to share the multiple experiences that exist in the creation of a film.
7.0Every year, tens of thousands of children are forced to leave their countries unaccompanied by an adult.
6.8This is the story of the life of the great queen of the steppe - legendary Tomiris. She is destined to become a skillful warrior, survive the loss of close people and unite the Scythian/Saka tribes under her authority.
8.2Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
7.0An investigation into the unfolding history of nuclear testing, uranium mining, and nuclear waste disposal on indigenous lands in the US. It raises the voices of those who witnessed and experienced the consequences of nuclear colonialism and those who still resist.
7.0A documentary by Donna Zaccaro about the political trailblazer, Geralidine Ferraro. Featuring interviews with Bill and Hillary Clinton, George and Barbara Bush, Walter Mondale, and Geraldine Ferraro herself, among others, this is a heartwarming and engrossing portrait of the first woman who was nominated for vice president, whose legacy still reverberates today.
0.0A work of Video Earth Tokyo, it is an interview with a homeless who lived in the Aoyama cemetery. Photography by Michael Goldberg.
10.0An experimental film about the relation of Time and Space.
A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.
0.0This short documentary introduces us to a town where no one pays rent: Simoom Sound in central British Columbia, where loggers live on sturdy river craft. Every week there are visitors: the general storekeeper, the flying postman and most importantly, the forest ranger, who is ever alert to the threat of fire.
0.0Looking for Angelina is based on one of the most important murder trials in Canada. Angelina Napolitano murdered her husband with an axe and was sentenced to be executed...
7.0A gentle physician saved an injured rabbit in the forest, not knowing that it was actually a Rabbit Spirit. The Rabbit Spirit decided to visit the physician in a human form, and they started to become closer. But when the Rabbit Spirit hears the story of the White Snake, and how human and demons are not destined to be together, she begins to doubt if she should stay at the physician's side. (Short film sequel to the 医女和兔子精的故事 music video)