And So Lives Belarus(NaN)

Okay, Mr. Ray!(en)

No one could spin a yarn to make a sale like Ray Lum. Twenty years after their initial meeting, Bill Ferris returned home to Mississippi in the early ‘70s with a camera. The result reveals a look back at the colorful rhythms of Ray’s life—at home, at the auction, joking with strangers outside country stores— and provides a glimpse at Southern manhood, friendship and loss. Now nearly Ray’s age when they first filmed, Ferris has become a Grammy Award winning documentarian and renowned folklorist. Using never before seen 16mm footage and new animations, OKAY, MR. RAY is a short documentary film about how even the tallest tales help us keep the memory alive of the ones we love.

Cuba and the Cameraman(en)

This revealing portrait of Cuba follows the lives of Fidel Castro and three Cuban families affected by his policies over the last four decades.

The Maze(de)

THE MAZE dissects the terror-attacks since Paris Bataclan in November 2015 and looks for common patterns. Why was intelligence failing? And why keep our governments pushing for more of the same? A road movie into surveillance reforms, power, money and cover-ups. A search for a way out of this maze - with a glimpse of hope on the horizon.

The Fantastic(ko)

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

Draussen bleiben(de)

Corporate Accountability(es)

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

Retratação(en)

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.

The Corporation(en)

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

Fantastic Beasts: A Natural History(en)

Stephen Fry embarks on a journey to discover the stories behind some of the world's most fantastic beasts that have inspired myths and legends in history, story-telling and film.

No Time to Fail(en)

Amidst an onslaught of attacks from a sitting President and the deadly threat of a global pandemic, local election administrators work around the clock to secure the vote for their community. Rhode Island’s election teams take center stage in this unprecedented voting adventure.

Beyond Utopia(en)

A courageous pastor uses his underground network to rescue and aid North Korean families as they risk their lives to embrace freedom.

Estráda(sk)

A Sense of Justice(fr)

A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.

News Without A Newsroom(en)

As local newsrooms vanish, "News Without a Newsroom" explores journalism's uncertain future in the digital age. Through powerful stories and expert insights, the film examines the collapse of traditional media, the rise of misinformation, and the fight to preserve truth, trust and accountability in an era of disruption.

Ukraine-Poland: The Border of Solidarity(fr)

Since 24 February 2022, when the Russian invasion of Ukraine began, several million refugees have already been taken in by Poles. In the Lublin region, near the Bug River, which marks the border with Ukraine and Belarus, farmers, shopkeepers, a photographer, and a teacher tell how their daily lives have been transformed by the outbreak of this war.

The Democratic Revolutionary Handbook(ru)

The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.

Asylum(en)

This feature documentary follows three newly arrived people in Canada and their experiences with the Canadian Refugee process. As claims are assessed and paperwork is double checked, we begin to examine exactly who can be considered a refugee.

Fadia’s Tree(en)

While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.

One More Brother(sv)

From 1957 to 1961 170.000 Algerians flee to Tunisia because of the war. Most of them walk by feet across the mountains and the desert, carrying only a few of their belongings in their hands or on donkeys. As there is no clay in the desert they cannot build ordinary houses. They have to live in pits in the ground, covered with canvas, but some are offered to stay in American army tents.

Flee(da)

Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.