Dorchester: au coeur de la mêlée(2025)

Bamboo Theatre(cn)

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

Bardejov(sk)

Du béton sur nos courgettes(fr)

Propaganda Message(en)

A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.

Fog in February(fr)

On the eve of the publication of a biography of Claude Jutra, one of the most famous and celebrated filmmakers in Quebec and Canada, a leak leaked to the press reveals that the book contains anonymous allegations of pedophile acts committed by the filmmaker. The rumor spread like lightning, suddenly igniting the entirety of Quebec society. By finding today some of the main witnesses propelled overnight into the heart of an unparalleled media tornado, the documentary reconstructs with archive images and other previously unpublished images, the sequence of events which led to a rewriting of the story.

My Grandmother’s Tipi(xx)

“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.

Notre-Dame de la Garde: Basilique hors norme(fr)

L'angoisse du héron(fr)

Les Autres - Les immigrants peuvent-ils sauver Huntingdon?(fr)

Huntingdon Mayor Stéphane Gendron wants to encourage immigration to save his town, which has been struggling ever since large-scale factory closures some years ago. Mayor Gendron’s project is a way in to a discussion about immigration and social and economic integration.

The 80 Goes to Sparta(en)

This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.

Hi, Mr. Gehry, I'm Marc From Arenys(ca)

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Dude, Where's My Bus?(en)

Filmmaker Gio Petti takes an in-depth look at the city's troublesome transit system in his documentary, Dude, Where's My Bus?. His nearly 2 year-long independent investigation delves into the frustrations of daily commuters in Ottawa and more deeply explores the systemic issues plaguing OC Transpo and their effects on the community. Beginning in the South End Suburbs of Ottawa, Dude, Where's My Bus? peels back layers leading to a broader investigation into issues plaguing the once model transit system. From late buses in neglected areas of the city, sprawl and the greenbelt, to the ever more controversial Confederation Line and the P3 system that built it, Petti aims to explore the impact of policy missteps and broken promises on Ottawa's transit users, with an optimistic look to the future.

The Hockey Film(en)

A harsh winter in Canada’s Muskoka, where players face sub-zero temperatures, contrasts with New Zealand, where hockey is just starting to take root. Yet, between these two far-apart nations, there’s one thing they share: a deep love for the game of hockey.

Postmodernism: The Substance of Style(en)

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

Frei Otto: Spanning the Future(en)

The life and works of Frei Otto told in his own words and by those he inspired. An in-depth look at the rise of lightweight architecture, form finding, and its continued relevance for the future of architecture.

Colonial Times(es)

Three centuries of Venezuela's history as a Spanish colony are considered from economic, political and social standpoints; evocations of the past are compared to the present. Based on the ideas and research of Federico Brito Figueroa, Alfredo A. Alfonso, Miguel A. Saignes, Josefina Jordan, and Thaelman Urgelles among others.

The Corporation(en)

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

Nowhere Land(en)

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.

Hacking at Leaves(en)

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.