Postmodernism: The Substance of Style(2011)

As We're Told(sv)

"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.

You Know: Uncovering What Lies Beneath(en)

A feature-length retrospective documentary on the making of “What Lies Beneath.”

Raging Bull: Outside the Ring(en)

The third part about the production of "Raging Bull."

C-Film(en)

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Camoflauge(en)

Camoflauge is the true story of Jason Johnson (aka Camoflauge) a rapper from Savannah, GA. He is known for representing his city to the fullest, putting Savannah on the hip hop map. In May 2003, his life was tragically cut short when he was fatally shot outside of Pure Pain Recording Studio. He was 21 years of age. Thirteen years later, his murder still unsolved, family, friends and fans break the silence by reflecting on how the city he loved turned against him. This documentary invites audiences to watch Savannah finally heal over the death of their hero.

Liberty in a Soup(en)

Every New Year, and in celebration of their Independence, Haitian families gather together to feast in honor of a line of ancestors that fought for their freedom. The centerpiece of the festivity is the joumou soup—a traditional soup dating back centuries ago. The joumou soup is a concretization of war and victory, oppression and emancipation, and the deeply rooted celebratory traditions of the Haitian culture.

Empirical Midwife in Milpa Alta(es)

A midwife goes to medical school to learn modern techniques.

Wild Australia: The Edge(en)

From beautiful but dangerous waterfalls to canyons and underground rivers carved into stone millions of years ago, Wild Australia is a stunning look at our fragile world and how it relates to Earth of ninety million years ago

Another Young Couple(en)

Another Young Couple — borne out of a camera test for If Beale Street Could Talk, James and I asked my friends Essence and Jihaari, newly transplanted to LA to allow us into their home for an afternoon tea about their lives and loves, apart and together. We were migrating to the Alexa 65 for Beale Street and wanted to see for ourselves how that large-format sensor would affect intimate portraiture within lived spaces… in particular the faces and spaces of Black folk.

Solarmax(en)

Solarmax is a 40-minute giant-screen documentary that tells the story of humankind's struggle to understand the sun. The film will take audiences on an incredible voyage from pre-history to the leading edge of today's contemporary solar science.

Simone Signoret, figure libre(fr)

Lentejuelas de sangre(es)

Antonio Gracia José (1942-2011), known as “Pierrot,” was a prominent member of the Barcelona art scene, a pioneer in the filmmaking of underground short films and Fantaterror movies, writer and playwright, magazine editor, movie poster painter, cartoonist and cabaret showman.

Boys Beware(en)

This anti-homosexual social "scare" short film focuses on the dangers of young boys talking to strangers.

The Adventures of Slater's Friend(en)

A film crew trails Philbert Powell through his morning, from the supermarket to his job at a video store. Along the way, he crosses paths with several individuals all named “Slater.” His interactions with them raise the central question: who, among those Slaters, is his friend? The narrative unfolds across a single morning, blending encounters and identity as Philbert’s journey reveals the shifting dynamics of connection.

Let's Draw With Crayons(en)

Shows how to use and care for crayons and some of the crayon techniques. Explains creative drawing, poster making, imprinting a design on cloth and other crafts.

And my name is Marcel Gotlib ou Tout à la plume, rien au pinceau(fr)

Portrait of comic book artist Marcel Gotlib.

ALHIVE(es)

One morning, Leonardo Galicia wakes up with a dull pain and an intense fever. After a pandemic experience that made him aware of his mortality, the last thing Leonardo expected was an HIV-reactive result.
 The illness caused by the virus takes hold of Leonardo's body and forces him to take an indefinite break while recovering in a hospital. There, he meets a mysterious young man, Augusto. By sharing common thoughts, hopes, and dreams, the two will find refuge in each other's arms.

Pedro M, 1981(es)

In Madrid, a woman pursues the traces of a father she never knew.

Autour des Salines(fr)

A visually expressive documentary about salt mining and its perils - done in a style that most subversively evokes a certain then-current official Spanish cinema, made to sell the fascist nation as a holiday paradise. The final image of some boys with a fighting cock is more devastating than hopeful.

Correspondence(es)

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.