Ústřední loutkové divadlo(1954)

Věděli si rady(cs)

Vltava po válce(cs)

A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.

Everything(pl)

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

El circo(es)

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Dárci života(cs)

Nebe patří nám(cs)

A documentary film about parachute training in the Voluntary Union of People's Aviation.

Připraveni(cs)

Stráž míru(cs)

2012: Time for Change(en)

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

Signals Through the Flames(en)

Signals Through the Flames is at once a history and a celebration of the Living Theatre. Founded in the late 1940s by husband-and-wife performers Julian Beck and Judith Malina, the Living Theatre was for many years the predominent American outlet for the avant-garde movement. There were occasional self-imposed exiles to Europe in the 1950s and 1960s, but the group returned full-force during the Aquarius Age to entertain a new generation of theatregoers.

Inside(cs)

The animated documentary shows a day in life of a person suffering a mental illness called anorexia nervosa. It is an intimate insight into the mind of an anorexic, who must somehow interact with raw reality.

Politická karikatura(cs)

Socha robotníka(cs)

Performing the Goddess(bn)

"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre

I See in the Dark(sl)

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?

Ultraviolet(en)

In Vancouver, British Columbia, two teenagers attempt to create a feature length documentary about their lives. The main character James (played by himself) becomes obsessed with the project and is pushed into a more introverted, lonely existence. His best friend Quinn (played by himself) sets out to help him, but is met with the real answer as to why James is keeping himself inside: the rejection of what he thinks is the love of his life. The two of them go their separate ways, with James going deeper into a depression he’s not sure he can escape from.

Offline(cs)

Four teenagers, everyday life, school, work and a week-long offline challenge. What do the lives of today's teenagers look like when they find themselves without an internet connection? In addition to disconnecting, they were to record their feelings and experiences in a video diary. Without the Internet, without music, without movies and series, and without any communication with the world around them, life can turn upside down.

The Hall of Lost Steps(cs)

In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.

Mister Hrstka(cs)

One day in the life of Mr Hrstka, a blue collar worker and occasional pose model at the Prague academy of arts. Through this portrayal of an outsider, Paskaljevic explores the subject of isolation.

Break Up the Dance(pl)

Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance.