The Istanbul Plane(2010)

Pomegranate Orchard(az)

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.

The Bat(az)

In a Azerbaijan, in the beginning of this century, the first films made in the history of cinema are shown.The characters meet each other in a room. Three characters who will witness the linking up of their destinies through their common love for this new captivating art.

The Devil under the Windshield(az)

A journalist is investigating a group of poachers who are illegally selling the huge amounts of fish

The Scoundrel(az)

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.

Arshin Takes a Wife(az)

Set in Baku at the turn of the 20th century, a young successful businessman Asgar wishes to marry. He wants his bride to be the choice of his heart, however, Azerbaijani tradition restricted him from communicating with the lady as a lover before marriage. So Asgar decides to disguise himself as a mere cloth peddler and the young woman Gulchohra falls in love with him.

Nabat(az)

The story is set during an upsurge in the Nagorno-Karabakh conflict and revolves around an old, sick ex-forestry worker and his wife Nabat, whose son has died in battle.

Caucasia(ru)

War breaks out in the Caucasus. 75-year-old Maria loses her son in the war. She and her daughter-in-law Sofia have been living in the Caucasus for 12 years. When famine strikes, they want to move to Russia. The women decide that they must go to Moscow. Maria takes her little dog and Sofia her small suitcase, gets on the train and sets off. In the next compartment, photojournalist Alexander is also traveling. Sofia and Alexander love each other. Maria realizes at one of the stations near Volgograd that she cannot live without the Caucasus. She writes a letter to Sofia and leaves the train with her dog...

The Window of Sadness(az)

Film about growing up in a small village in Azerbaijan.

The Silver Truck(az)

Madina is a young married woman who is mentally strong despite the problems she encounters.She has no children and her relationship with her husband is bad, although he loves her.She makes carpets which is a way for her to express her feelings. One day, she meets a man working in a circus. She gets to know him better and becomes transformed by him as he helps her improve her husband and the carpets she creates.

All For The Best(az)

The events occur during the Nagorno-Karabakh War. Because of a corpse in a zinc coffin with an arguable address, two families get excited. Having cut the lid off the coffin to identify the soldier, they find out that he is, in fact, Armenian - former citizen of Baku.

Friends(ru)

The Sixth Sense(ru)

About a young engineer's struggle for new, scientifically proven methods of working in drilling mines. His main opponent is a drilling foreman who prefers to be guided by his "sixth sense" in his work. In the end, engineer Geydar wins a double victory: he proves the superiority of new drilling methods over traditional ones and wins the heart of the old foreman's daughter. The film is considered banned.

The Hope(az)

The film is about war in Garabagh and when we look at wounded solider we see our son, brother or father.

The Outsiders(az)

The movie tells about the fate of young people, about their pure love and desire for friendship. Falling into the net of dirty people, only love saves them from death.

The Red Train(az)

Political farce. Soviet power is compared to a symbolic "Red Train" without a steering wheel bringing happiness to people.

The Basement(az)

After many years of effort and patience, she failed to save her family. She watched with pain as her husband, an architect by training, was ruining his life with idleness and melancholy. Unable to bear the boredom of life together, she leaves home...

The Family(az)

January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.

Hostage(az)

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

In a Southern Town(az)

Murad, a young man, lives by the old ethical norms that are still valid in the suburbs of his city. He had promised Tofig, his childhood friend, to give him his sister as a wife, but Tofig is in love with another girl. He forgets the promise and takes the girl home. Murad is offended. According to the code of honor, he must take revenge. One of the first films ever produced in the Soviet Union to challenge the sociopolitical establishment.

Man Casts an Anchor(az)

The film is about an oilman who took a lost worker's place and won the respect of other oilmen, was also based on this same ideology, depicting the heroism of oil workers, who never became exhausted and continued working in oil, generation after generation.