Sabina
Zelik
Leyla
Eldar
Sevil

After many years of effort and patience, she failed to save her family. She watched with pain as her husband, an architect by training, was ruining his life with idleness and melancholy. Unable to bear the boredom of life together, she leaves home...
1990-12-01
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4.2This film was based on Samad Vurgun's "Komsomol poem". Seven sons, like seven samurai become the seven komsomols (communist leaders) who were sent to a village to establish Soviet power. Seven sons become the romanticized images of people's heroes ready to take revenge.
5.8While there is famine during WW2, a boy with mom far away, tries to stay strong.
6.5Set in Baku at the turn of the 20th century, a young successful businessman Asgar wishes to marry. He wants his bride to be the choice of his heart, however, Azerbaijani tradition restricted him from communicating with the lady as a lover before marriage. So Asgar decides to disguise himself as a mere cloth peddler and the young woman Gulchohra falls in love with him.
5.4Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.
9.0A journalist is investigating a group of poachers who are illegally selling the huge amounts of fish
6.7Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.
6.2In a Azerbaijan, in the beginning of this century, the first films made in the history of cinema are shown.The characters meet each other in a room. Three characters who will witness the linking up of their destinies through their common love for this new captivating art.
3.3The film is about Azerbaijanian and Uzbekistan's cotton-growers contest and about two young people's love.
5.0War breaks out in the Caucasus. 75-year-old Maria loses her son in the war. She and her daughter-in-law Sofia have been living in the Caucasus for 12 years. When famine strikes, they want to move to Russia. The women decide that they must go to Moscow. Maria takes her little dog and Sofia her small suitcase, gets on the train and sets off. In the next compartment, photojournalist Alexander is also traveling. Sofia and Alexander love each other. Maria realizes at one of the stations near Volgograd that she cannot live without the Caucasus. She writes a letter to Sofia and leaves the train with her dog...
0.0Madina is a young married woman who is mentally strong despite the problems she encounters.She has no children and her relationship with her husband is bad, although he loves her.She makes carpets which is a way for her to express her feelings. One day, she meets a man working in a circus. She gets to know him better and becomes transformed by him as he helps her improve her husband and the carpets she creates.
7.2The film is about dramatic revolutionary events happened in 1918 in Baku.
0.0The film is about commissary Chingiz Ildirim.
7.0Murad, the favorite of the entire court, has just returned from prison, where he ultimately took the blame for his friend's crime. All this time, his fiancée Gul waited for him, and now they are getting married. Meanwhile, behind one of the doors overlooking Murad's garden, a woman's scream can be heard from time to time, but the neighbors do nothing. Will Murad be able to rise above the general indifference to his neighbor's affairs and help the unfortunate woman?
8.0The events occur during the Nagorno-Karabakh War. Because of a corpse in a zinc coffin with an arguable address, two families get excited. Having cut the lid off the coffin to identify the soldier, they find out that he is, in fact, Armenian - former citizen of Baku.
0.0On preserving moral principles and the importance of gaining the trust and respect of others.
2.0After the novel of the same name of Yusif Samadoghlu. The film is about three intervals in time: the distant past, yesterday and today, about innocent victims, about repression, and conquest of different countries.
The film chronicles the ordeals faced by Azerbaijan’s intellectuals - from the Red Terror to the present day - depicting how, amid shifting social and political upheavals, they endure physical and moral persecution. It also explores human betrayal and the ways people adapt their identities to survive changing circumstances.