Degenerate Art(1993)

Nazi-Karrieren in der DDR?(de)

It was a foundational myth of the GDR that it was anti-fascist and free of Nazis. But was that really the case? The film takes a critical look on the actual way the brown heritage was dealt with in the GDR.

Hanussen(hu)

A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Leftovers(en)

A manufactured memory.

Zaha Hadid... Who Dares Wins(en)

Alan Yentob profiles the most successful female architect there has ever been, the late Zaha Hadid, who designed buildings around the globe from Austria to Azerbaijan.

Avant la catastrophe - La Chute de la République de Weimar (1930-1933)(fr)

Le Temps des assassins(fr)

Achieving the Unachievable(en)

M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?

Ray Kappe: California Modern Master - Forty Years of Modular Evolution(en)

Explorations in 21st Century American Architecture Series: Ray Kappe has long been a cult figure in the architectural scene in and around Los Angeles. In 1972, he founded the influential, avant garde Southern California Institute of Architecture (SCI-ARC), where many of the younger-generation architects have studied or taught.

Mies(en)

No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.

100 Years of the UFA(de)

The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

Hitler: The Comedy Years(en)

A documentary about the portrayal of Adolf Hitler in popular culture.

Fascism in Colour(en)

After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)

Pablo Picasso et Françoise Gilot : la femme qui dit non(fr)

Painter Françoise Gilot shared Pablo Picasso's life from 1943 to 1953. This union nourished their respective artistic creations.

Who was Hitler(de)

Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.

Sophie Scholl: The Final Days(de)

In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.

Hitler's Junkies(fr)

In Third Reich, the abuse of drugs made commanders and soldiers feel invincible. The Führer himself took them on daily basis. This is the unbelievable story of the D-IX project and of methamphetamines, which, abundantly furnished to soldiers, changed the course of history.

Sintomático(pt)

Berlin - Paris: Die Geschichte der Beate Klarsfeld(de)

With her slap of the Federal Chancellor Kurt Georg Kiesinger in 1968, Beate Klarsfeld abruptly got known worldwide. The film highlights the significance of this act and its background. Beate Klarsfeld, born in Berlin in 1939 as Beate Künzel, is primarily known to people as "the woman with the slap" and as the Nazi hunter. In 1960 she went to Paris and met her future husband Serge Klarsfeld, whose father was deported to Auschwitz and murdered there. She was confronted with the darkest part of German history, about which she had learned nothing at school. Serge gave her books to read and made her actively deal with them. Since then, she has not let go of dealing with the crimes of the Nazi era. For them, it was always about "responsibility, not guilt".

Francofonia(fr)

Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.