Film adaptation of a stage play about a therapy group for male sex-addicts.
učitel dějepisu a tělocviku Cyril
scenárista na odpočinku Přemek
mladý ajťák Martin
Film adaptation of a stage play about a therapy group for male sex-addicts.
2022-01-10
0
Ah, summer! School is out, work slows down and passions heat up in the warm summer air. Theatrically speaking, it's the perfect time for a sexy comedy where no one is what, or who, they seem and life is full of romantic possibilities. In other words, the perfect time for William Shakespeare's TWELFTH NIGHT, or 'What You Will—’ which Lincoln Center Theater presented in the summer of 1998 at the Vivian Beaumont Theater.
Presented by HBO and recorded live at the American Palace Theatre in New York, 'Hazelle!' a one-woman show consisting of a series of interconnected vignettes involving a host of Hazelle Goodman's well-crafted and distinct characters, which center on a NY York neighborhood. Often hilarious, sometimes poignant, but always though provoking and brilliantly performed, Goodman uses humor to celebrate humanity in way that is as relevant in 1995 as it is timeless.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
An entirely improvised comedy play, with a cast who conjure up a 'lost' Jane Austen novel, based on nothing more than a title suggested by the audience.
In his second comedy show the Dutch comedian Kees Torn sings about postmen who wonder about street names, Rotterdam by night, playing Mozart and being trapped in your own limited body.
In his third comedy show the Dutch comedian Kees Torn tells and sings about his girlfriend. He is in love and therefore affraid that it will end. He also fears that he is too in love to write about anything else and that his audience will get tired of him.
In his fourth comedy show the Dutch comedian Kees Torn has resolved not to talk about his girlfriend anymore, as that got out of hand in his previous show. This performance is therefore about other matters: how progress does not always actually bring about progress.
In his fifth comedy show the Dutch comedian Kees Torn reflects on addictions. Torn himself struggles with a dependence on whiskey and cigars, but also rhyme, Bach and his girlfriend José.
In his sixth comedy show the Dutch comedian Kees Torn tells that his impresario no longer allows him to talk about his girlfriend, his love for cigars and whiskey. That's why he's only talking about politicians, television personalities and important things like the QWERTY keyboard layout.
In his (Poelifinario price winning) seventh comedy show the Dutch comedian Kees Torn remembers the death of loved ones. Torn reflects, in his own way, on life and death.
In his eighth comedy show the Dutch comedian Kees Torn reflects on his youth in a Reformed environment and how he lost his faith.
In his ninth and last comedy show the Dutch comedian Kees Torn tells about his passion for science and on what he wants to do after his last tour.
William Shakespeare's darkest comedy, Measure for Measure. Live from Shakespeare’s Globe Theatre in London, this television production of the play was broadcast on BBC4 on Sept 4, 2004. Directed for stage by John Dove and for television by Janet Fraser Cook. Presented by Andrew Marr and with comment from historian David Starkey, actress Juliet Stevenson and the production’s director John Dove. Starring Mark Rylance, Liam Brennan and Sophie Thompson.
Before it was a movie, it was a theatrical phenomenon! When Helen learns that her husband is leaving her for her best friend, the women in her family are ready with advice. Her devout mother preaches strength and forgiveness, while her parolee grandmother shows up with a gun! Acclaimed African-American playwright Tyler Perry dares to mix sacred and secular humor with riotous results. Experience his most famous morality tale, now a major motion picture, in its original stage format...complete with live musical numbers!
"Pensées d'Alexandrie", "Bises du Caire" ... It's summer. They took their car, drove in coaches, flew in planes and visited camera in shoulder strap some distant country bristling with monuments and other "things to see", such as Egypt, Greece, India or Bordeaux. So as they are bored a bit far from their home sweet home, the Rouchon write to Brochon and vice versa - we are polite all the same! They send postcards not stung from the beetles. In these letters from the front of the leisure society, François Morel as a "melancholy mocker" has fun with often tender humor, sometimes biting, of this irrepressible need to change scenery to finally eye with a weary eye the pyramids and all those centuries that contemplate you while thinking of the evening meal (wine is free and at will) and the friends who have stayed in the country.
Plans for an arranged marriage between the beauteous young Juliet and the wealthy but off-putting Count Paris are thrown awry when Juliet falls for Romeo, the son of her father's only enemy. Their romance will yield explosive passions — and deadly consequences.
Moments before the curtains rise on their high school’s production of Julius Caesar, Rob (Brutus) accidentally stabs Wyatt (Caesar) backstage. Rob and his best friend Craig (Cassius) must then try to get Wyatt ready for the show, or -if things don’t work out- hide the body and find a replacement. Before the night is over, they’ll have to deal with a lovesick Casca, a sledgehammer-wielding Antony, and a stray Nick Bottom who has been kidnapped from the rival high school’s Midsummer. The filmed version of the Shakespeare in the Dark production of “Et Tu, Rob?” combines the best elements of live theatre, film, and streaming to bring the "cultural" "phenomenon" to homes around the world for a thrilling, once-in-a-lifetime experience.
Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.