La folle et véritable vie de Luigi Prizzoti

Tyler Perry's Diary of a Mad Black Woman - The Play(en)

Before it was a movie, it was a theatrical phenomenon! When Helen learns that her husband is leaving her for her best friend, the women in her family are ready with advice. Her devout mother preaches strength and forgiveness, while her parolee grandmother shows up with a gun! Acclaimed African-American playwright Tyler Perry dares to mix sacred and secular humor with riotous results. Experience his most famous morality tale, now a major motion picture, in its original stage format...complete with live musical numbers!

When You Come Home(en)

When You Come Home was Randle’s seventh feature film, and sees him recount his life as a music hall odd job man to his grandaughter.

Haters Roast RAW(en)

First ever Drag Queen LIVE Pay Per View Event – get ready for a night of outrageous fun as the queens hit the stage with insults and shenanigans.

Austentatious - I Don't Think So, Sir(en)

My dear friends, it's time for us to welcome you to another 'lost' Jane Austen novel. It's been improvised from start to finish by the amazing cast of Austentatious. The actors conjure up the story from nothing, backed by fully improvised lighting, soundtrack and, now I come to think about it, our camerawork too. This is the third time we have recorded Austentatious, this time as part of their residency at the Arts Theatre in London's glittering West End.

Private Lives(en)

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

Le Tombeur(fr)

The Merry Wives of Windsor - Live at Shakespeare's Globe(en)

Double-meanings, disguises and dirty laundry abound as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the ‘Merry Wives’ quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff’s expense… The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land. Drawing influences from British 1930s fashion, music and dance, the production will celebrate women, the power and beauty of nature, and with its witty mix of verbal and physical humour, it rejoices in a tradition that reaches right down to the contemporary English sitcom. The Windsor Locals appear courtesy of Soldiers’ Arts Academy, London Bubble and Clean Break.

Cyprus Avenue(en)

David Ireland's award-winning dark comedy about sectarian hatred in Northern Ireland. Eric Miller, a Belfast loyalist, mistakes his five-week-old granddaughter for Gerry Adams.

National Theatre Live: Fleabag(en)

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

No te metas en política: el documental(es)

Comedians Facu Díaz and Miguel Maldonado, along with filmmaker Nacho Vigalondo as host, tell the brief story of “No te metas en política,” a Spanish late-night talk show that was broadcast online between 2016 and 2019.

Loupežník(cs)

Jane Anger(en)

It’s 1606 and William Shakespeare is stuck in quarantine with his unpaid apprentice, Francis. It would be a GREAT time to write King Lear…if he weren’t plagued with writer’s block. In through the window climbs Jane Anger, the Cunning Woman, with a large sack and a mind to change history forever.

White Lies(sv)

L'argent de la vieille(fr)

Champagne Charlie(en)

A man from the countryside becomes London’s newest music hall sensation, and competes with a rival music hall performer for the audience’s attention.

Beautiful But Dangerous(it)

Lina, a music hall singer, has fallen in love with Sergei, a Russian prince. Maestro Doria, who gives her voice lessons and who hopes to make her his mistress, takes her to Paris where she becomes the star of the "Folies-Plastiques".

Uncle Pumble(en)

The story is about a doll named Amo Pumble who teaches children how to live in society by reading a magic book to children.

William Shakespeare's The Taming of the Shrew(en)

Lucentio loves Bianca but cannot court her until her shrewish older sister Katherina marries. The eccentric Petruccio marries the reluctant Katherina and uses a number of tactics to render her an obedient wife.

The Tales of Hoffmann - Teatro Regio di Parma, 1988(fr)

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

Trottie True(en)

Tottie True is a gay-90s British music-hall performer who has her sights set on moving from rags to riches, who loses her heart to the pure-and-true blue balloonist, Sid Skinner, but continues her upward search on improving her social status. She finally settles for Lord Landon Digby who has lots of assets and a very-stiff upper lip. She gets a lot of the latter and very little of the former, and decides Sid might have been a better choice.