A retired bricklayer wants his grandson, who lives hundreds of miles away, to stay with him. Will he convince the young man despite the lack of opportunities in the country?
Luciano Scarpari
Andrea Scarpari
Bruna Lonati
A retired bricklayer wants his grandson, who lives hundreds of miles away, to stay with him. Will he convince the young man despite the lack of opportunities in the country?
2022-05-09
0
One of the first works by María Cañas, an excessive metadiscursive exercise on the “pig character” of current information and archive culture.
When the renowned author, orator and journalist Christopher Hitchens was challenged to undergo the brutal interrogation technique known as waterboarding, few would've expected he'd accept such a task - he had previously expressed the position that the controversial procedure would not qualify as torture, and most who'd claim such a thing would not have the courage to test their convictions. Yet, in May 2007, Hitchens did just that - and his experience profoundly impacted both himself and his stance on the matter, prompting him to declare he'd been wrong, and later to publish his 2008 article for Vanity Fair's August issue, simply titled 'Believe Me, It's Torture'.
This short film presents a look at Italy's popular tourist spots.
In Italy, in the mid-seventies, Adriana, Barbara, Nadia and Susanna were 20 years old when they decided to join the armed struggle and leave behind their social life and their families in order to make the revolution the center and the aim of their existence. Today they have returned after many years in prison, and they try, each one of them, to recount their own experiences. They speak about the political reasons which initially sustained them, the conflicts, the doubts, and the moments of being torn apart which market out their lives as women caught up in the vortex of war. A course of events which ended in the condemnation of the armed struggle and the pain of the lives that were destroyed – their victims’ lives and their own.
What is the difference between a story and a good story? In this short documentary, ten of the greatest screenwriters in Brazil answer this and other questions, guiding us through the universe of creative writing and all its possibilities.
Using local media footage from the London Borough of Southwark spanning the past 20 years, this documentary discusses complex social issues including gang violence, knife crime, and mental and sexual health.
A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it's worth knowing more.
Documents the December 26th blizzard in NYC -- from B&W to color and back, everything becomes stuck then free again.
Seven Asian-Americans discuss their experiences with racism and the spike in Asian-directed hate crimes as a result of COVID-19.
Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
To celebrate the release of a new movie for their 20th anniversary, this documentary offers some behind-the-scenes footages.
Johnny Knoxville, Steve-O and Chris Pontius join the annual race around Europe, have fun in other countries, and get in some trouble along the way.
A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.
This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.
Pati, a young film producer, is fighting to carve out a professional career in the film industry. It is May 2019 when her laptop is stolen during a business trip in Madrid. Two months after, an anonymous Hacker accesses all the stored data in the stolen device and finds three very private photos of Pati. He threatens that if he doesn’t receive $2,400 he will mass-mail the pictures to all her work contacts in order to ruin her professional reputation. The shame, anger and distress caused by the ineffectiveness of the legal forces lead Pati to set out on her own investigation to stop the Hacker and regain control and power over her privacy.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.