The Devonsville Train: Establishing Shots 1(NaN)

The Enclave(en)

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

From the Point to the Shape(es)

Considered to be artist Martin Blaszko's only incursion into film. Through the experimentation with various film techniques, the artist speaks of the laws of geometry which are an important part of his work, and other obsessions of his, such as, bipolarity, the monumental, and the city as a source of aesthetic emotion.

In My Country Men Have Breasts(en)

Akbari was diagnosed with breast cancer in 2007 and she lost her breasts due to the cancer. After she directed, wrote and acted 10+4 which showed her struggle with the cancer, the depiction of the artists body became central in her works. In the same year, Akbari photographed her own naked body for the photo project titled Devastation. Although it was pretty risky, put herself in danger and prohibited to exhibit Devastation in Iran due to the naked images of her own body, Akbari continued to depict her own body as a new medium and new material so that she provided a video secretly as well. In 2012, after Akbari left Iran due to the barred situation of filmmaking and arresting film makers, she uses the video that shoot secretly from her own body in 2007 and juxtaposed with new images and the song of Ahangaran, who was a singer for the war time between Iran and Iraq. As a result of her action and performance, the video project titled In my country, Men Do Have Breasts happened.

Site Unseen(en)

A collaboration between Kadet Kuhne & Alba G. Corral.

Isolation(en)

A meditation on isolation through paint textures, video collage and sound

A Solar Dream(fr)

Behold the struggle between light and dark, the two principles that are at the very heart of the cinematic deed. A Solar Dream takes the seventh art’s ability to generate imaginary and phantasmagorical worlds to the limit, multiplied here by Michèle Bokanowski’s enveloping music. A precious plastic and sonic gem.

Lilith(en)

Against a field of swaying and halting yellow vegetation, another processed field: the image of the eponymous subject (performed by painter Doris Cross) riles and emits unintelligibly to the viewer. Conjuring the mystical biblical character Lilith, Steina's video layers both sound and image to produce an ever-shifting, frustrated presence.

Distant Activities(en)

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio synthesizer.

A Weak & Panicked Animal(en)

Enclosed by a civilised landscape, society reduces the problem of human survival to a minimum. The sidewalk, the fence, the clearing, demarcate a treaty between man and nature whereby neither one of us shall pass these thresholds lest we become subject to the law of the other.

The Role of Chance(fr)

"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.

Shadow(ja)

A political work in which Ko Nakajima opposes himself to the Vietnam War.

Solar Beats(fr)

Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.

Flammes(fr)

Memories split in the space.

The Breakfast(es)

Short film based on a poem and made for the 1st year actor directing course

I Do Not Know What It Is I Am Like(en)

"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The segment features material from "Il Corpo Scuro (The dark body)" - animals and natural environments are seen up close and at a distance.

Netsplit: Queda de Conexão(pt)

Video art made by Dellani Lima,

El resto es porno(es)

Untitled(en)

In this hyper-realistic digitally rendered video, sandwiches are assembled in sequence. Each component, from the first slice of bread to the last, is dropped dramatically from a height, before bouncing and settling into place in slow motion. Mayonnaise, then ham, lettuce, tomato, cucumber, and the final slice on top. This perfect yet uncanny choreography reads like an exaggerated, perverse take on ‘food-porn’ obsessed advertising campaigns. These sequences repeat, the sound gradually incorporates saws and machinery, echos from empty environments, pianos breaking, smashes, crashes and mechanical crescendos like jet engines alongside eerie drones, bells, and hard rummaging noises. Another piece of bread lands, some rubber baby dolls fall onto it, some brown slop, a blanket, denim jeans, some businessmen in suits, and more slop. Ketchup, then a union jack, all encased in the final layer of bread that falls to the top of the pile to the sound of a tolling bell. Infinite continuation, loop.

Samples II(en)

In “Samples II”, Alÿs walks around London with a drum stick in his hand, playing the sounds of metal fences beside him.

Karikpo Pipeline(xx)

The Karikpo masquerade - a traditional dance of the Ogoni tribe - is transposed onto the remnants of a faded oil industry programme in the Niger delta.