A political work in which Ko Nakajima opposes himself to the Vietnam War.
A political work in which Ko Nakajima opposes himself to the Vietnam War.
1975-01-01
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Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
The Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Decepticons.
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Roads fall into the sea and a travelogue breaks against the landscape.
The intertwining fates of two Vietnamese sisters who sustain a wartime relationship through written correspondence.
The nine virtual sculptures underlying vitreous resulted from experimental setups by Robert Seidel for generating three-dimensional clusters of fibrous refractions, as well as the gravitational lensing of different volumetric and chromatic densities. Singular elements gravitate towards each other, accumulating in a gigantic sculptural system, where each entity exists with its own visual axis and vanishing point. The impalpable luminous formations create prismatic interactions between the ridges and plateaux of the main colours floating in front of the infinite violet background.
Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio synthesizer.
Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.
The term hysteresis soberly describes a processual behaviour where the previous history affects the result as much as new changes. Robert Seidel enters analogue drawings, performance footage of the queer dancer Tsuki and pluck sounds and drones by Oval into a feedback system that reorganises time and movement in a multicoloured and sensual organic tableau.
The new frontier of Venus has degenerated into a dystopia ravaged by the civil war between Ishtar and Aphrodia. Bubbly reporter Susan Sommers arrives in the capitol of Aphrodia just before it's captured by Ishtar. She falls in with a bunch of teen-agers who live for a sort of motorcycle version of Roller Derby. Daredevil rider Hiro and his friends reluctantly join the struggle to free Aphrodia from the invaders. Not surprisingly, Hiro proves an ace at piloting the mono-cycles that are the Aphrodians' secret weapon in the key battle.
Darkness and light, as seen by VIFF’s favourite Buddhist erotist. Part of the TOKYO LOOP animation anthology produced by ImageForum Japan.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.