Animation made with coloured salt by Aleksandra Korejwo
1991-01-07
0
Reworked and colored images of people playing at the seashore.
A subjective view of an UFO. Shot frame-by-frame along the Tama River.
Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Sara is the protector of her brother Soma. In order to keep Soma's feelings from being hurt, Sara must face six rivals.
Long ago, four extraordinary beings of dual male and female spirit, led by Kapaemahu, brought certain healing arts from Tahiti to Hawaii and were loved by the people for their gentle ways and the miraculous cures they performed.
Short animation by Al Jarnow based on the work of British poet Edward Lear. Made at NYU.
A stream of consciousness experiment committed directly to celluloid, Jarnow pays homage to Stan Brakhage and Harry Smith. Abstract designs transform self portraiture, lettering tests and images traced from other films including a Charlie Chaplin short.
Tondo introduces the cosmic formalism that was the primary theme of Al Jarnow's independent films. An infinite gridscape alternates with vibrating etchings, spirograms and other surreal realities.
The film is designed to encourage recycling - which was a key part of the war effort.
Intended to be an "animation machine," Four Quadrant Exercise finds Jarnow adapting a perspective system, enabling him to render complex motions almost automatically. Created prior to the streamlined ease of computer software, this short is a commitment to the joy of making marks on paper.
The primary motif in this silent picture is a grid that controls the shapes and motions of forms contained within the framework of a rotating cube. Constructed from interlocking cycles, the film explores branches and loops along paths laid down by geometric logic.
This is the story about a boy not like the others that dreams about finding his place in the world.
Dulac’s three 1929 “abstract” films, Disque 957, Αrabesques, and Themes and Variations, were the results of a long period of reflection by the filmmaker, who sought to create a “pure” or “integral” cinema that would capture the essence of the new medium and owe nothing to the other arts. Each of these three studies was designed to be played silent. The first one, Disque 957, is conceived of as a “visual impression […] in listening to Frédéric Chopin’s Preludes n. 5 and 6”. Its title and its opening shot of lightplay on a spinning record not only announce the film’s dominant cyclical motif, but also evoke one of the filmmaker’s major sources of inspiration in Loie Fuller’s serpentine dances. —Avant-Garde Film Festival
The Sound of Music Live! is a television special that was originally broadcast by NBC on December 5, 2013. Produced by Craig Zadan and Neil Meron, the special was an adaptation of Rodgers and Hammerstein's Broadway musical The Sound of Music, starring country singer Carrie Underwood as Maria von Trapp, performed and televised live from Grumman Studios in Bethpage, New York. Meron felt that if the telecast were successful, the concept could become "another kind of entertainment that can exist on TV." By her request, Underwood's casting as Maria was personally endorsed by Julie Andrews, who starred in the 1965 film.
Life’s Musical Minute, recently re-discovered, is a short promotional film of this kind, based on Gene Krupa’s drum solo from “Golden Wedding” by the Woody Herman jazz band. It was Lye’s attempt to gain support from Life Magazine.