A chicken rescue mission gone wrong leads the activists into a dangerous wilderness where they experience situations that lead to new insights such as, nature is not a safe place for animals.
A chicken rescue mission gone wrong leads the activists into a dangerous wilderness where they experience situations that lead to new insights such as, nature is not a safe place for animals.
2024-06-09
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2700 handcrafted still pictures in 18 FPS, shot with a Canon EOS 600D. Animated with Dragonframe, and edited with Sony Vegas Pro.
About a girl that takes up all businesses, but brings none to a conclusion.
If Frankenstein's Monster is to the dark side of science, King Kong is to the Great Depression, Alien Invaders (like The Blob and The Thing) is to the Communist Threat, Godzilla is to the bomb, and The Milpitas Monster and Hedorah the Smog Monster are to pollution. Now, this robotic dinosaur made of various technological devices from Japan is to Japanese consumerism and possibly globalization!
„SUNNY AFTERNOON“ is the confrontation of “kind of” an avantgardefilm with “kind of” a musicvideo, and consequently puts questions about the standard taboos and clichés of different film-“genres”. Both avantgardefilm and musicvideo use music & sound “typical for their genre”.
Injured and in trouble, Detective Dekton is following the last clue he has left, to finally discover what happened to his partner Gary and his mysterious disappearance. Now he will have to break some rules and betray his own principles if he wants to get to the bottom of things. On your way you will run into characters who may well help you, or harm you.
Aisha and Ali are unhappy about the plastic pollution in their otherwise idyllic Kenyan seaside village and decide to do something about it: collect all the plastic and make a big dhow sailing boat!
An interview with 'Tex Avery'.
Children's nursery rhymes in a film.
One night, Reine, a young loner, sees among the urban chaos a moving oneness that seems alive, like some sort of guide.
Canadians in search of the national identity will not find it fully fleshed in this film. An animated cartoon, it sees Canadians as pragmatists, adaptable to whatever climate or history place in their way. It is a boisterous, bubbling analysis of the Canadian character and, although it may not answer the question of the title, it does leave the feeling that being Canadian is not so exhausting as one might expect.
In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leader, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".
To get his comeuppance, Jasper sets a series boobytraps for Scarecrow.
Pontus Hultén's X consists both of animated, geometric sequences and of other photographic scenes reminiscent of home movies. In the geometric part of the film, Hultén works with the rhythmic displacement of contrasts and patterns in bright primary colors. Geometric images are intertwined with jazz to illustrate analogy of form. The photographic part consists of family sequences of various persons. The catalogue of Arbetsgruppen för film of 1960 lists the work as unfinished. (Filmform)
The magician crow turns the little boy into a jug. After that a little boy's adventures begin.
Dive into a monochrome ‘sketch’ animation detailing the end of humanity as we know it.
Victor is stuck in a low-budget airliner next to a shamelessly intrusive stranger. The crackling candy wrapper, the smacking of the lips, oh, he thinks, just give me a break. No, he doesn't want candy, thank you very much. Victor isn't hungry. But there's no escape, thirty-five thousand feet in the air. So, just keep breathing.