A mother embarks on a journey of acceptance and joy while supporting her child's gender transition in this heartfelt portrayal of single parenting and navigating the complexities surrounding gender and consent.
A mother embarks on a journey of acceptance and joy while supporting her child's gender transition in this heartfelt portrayal of single parenting and navigating the complexities surrounding gender and consent.
2021-09-20
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Anouchka is a 30 year old screenwriter who works in a wine bar for a living. She traces her last 15 years of alcoholism thanks to a screenplay she wrote.
How do you learn to talk about death when you are a future doctor? Mathilde and Fabian will be entering a residency next year. I'm looking at the gestural dialogue and language strategies that take place during the delicate moment of a "announcement" consultation. I am trying to understand how words, although they do not directly cure the disease, sometimes help to remove the fear it engenders.
SNIPERS: BULLETPROOF deconstructs and analyzes the little known sniper events that have occurred when no other course of action was possible. The people who planned the takedowns, or pulled the trigger, share their techniques and bring to light the many factors that had to be considered in each mission: terrain, wind speed, temperature, elevation changes... all are critical to taking out targets considered bulletproof. A sniper has one chance, one breath, to rise to the occasion and save the day... if they miss, there may never be another opportunity. As these never told before stories unfold, the viewer also learns about the high tech gear each sniper carries on their classified missions.
In Search of Avery Willard iIlluminates the life and work of the groundbreaking, and mostly forgotten, artist Avery Willard — photographer, filmmaker, writer, publisher, leatherman, pornographer.
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.
Aida Santos Maranan is a poet, writer, teacher, feminist and NGO worker. In 1983, she co-founded the Katipunan ng Kababaihan para sa Kalayaan (KALAYAAN), one of the first feminist groups in the country, and other women's groups and initiatives. Aida was Imprisoned during the martial law years and remains active in human rights activism.
The only thing colder than a Canadian winter is Canadian bureaucracy (probably). Based on five real life stories, Romy Boutin St-Pierre and Joe Nadeau pay homage to the nation-wide stress headache of phone calls with the government in this surprising short.
A documentary that follows five British teenagers as they come out, capturing intimate first-hand experiences, and empathizing with them as they seek acceptance for their sexuality. From the 14-year-old footballer who describes herself as a ‘butch lesbian’ to the transgender boy forced out of home and school, the program features a cross-section of characters. Intimate, confessional, and raw, the film celebrates their bravery and exposes the ostracism and bullying they can suffer.
Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.
The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.
Seizing her power as she confronts her mortality, trailblazing trans activist Connie Norman evolves as an irrepressible, challenging and soulful voice for the AIDS and queer communities of early 90's Los Angeles.
It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.
After being diagnosed with borderline personality disorder, a young mother writes a letter to her daughter about their family’s collective journey to acceptance.
Through the spoken stories and testimonies of 4 LGBTQ+ people over 40 years old about their lives, their joys, their hopes, their struggles, and their advice, this documentary aims to contribute to an archive, to the construction of a queer history. But also to the bridging of the communication gap between generations, showing young queer people that it is possible to have a long and happy life. What are the differences and similarities between their lived experience and the one of younger LGBTQ+ people? What can we learn from them and what should we aim to overcome? What links unify this 'community' and what debates split through it? But more than anything: what does it mean to grow old whilst being gay, lesbian, bi, trans, non-binary...? What does that look like? What does the future, which is sometimes so complicated to imagine, have on hold for us?
"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)
It wasn’t long until Ethan knew that he wasn’t Irene, meanwhile, Sarah wondered why it wasn’t the colour of her skin that made her feel so different from the others but, in fact, the stigma of living with HIV. Those are some of the stories from "DIVERSXS".
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.