1954-01-01
0
A Chinese Canadian son sets out to make a film on his mother, who was once known as the first ever Chinese Opera Singer to have performed Pingju Opera in English in late 1980's China.
MY NEXT STEP follows a young Kunqu Opera artist YANG Yang(28 year-old) over the course of several years. It offers its audience a glimpse into the world of Kunqu, and a magnifying look into the ambivalence of a young man struggling to find a way out for a fading art.
This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.
When facing a path with no future or precedent success, will we ever choose to stay? Cheuk Cheung’s My Way explores the Cantonese Opera tradition of male Dan performers, men who play female roles, against the backdrop of a Hong Kong society increasingly putting less value on art. Although female performers have long been part of the mainstream of Cantonese Opera, the film follows the stories of two young men who are still fascinated by the art of the male Dan, striving to find their own way to carry on the practice. A moving and searching look at the struggle for identity, My Way is a colourful, musical and moving film which offers a unique and highly personal look at perseverance in the face of a changing society.
The story focus on Caridad and Georgina, who had learned the art of Cantonese Opera in Havana as a young age and performed as divas for over a decade before their lives were changed by Fidel Castro's revolution.
A Shaw Brothers Chinese Opera based on the Qing dynasty musical play that recounts the death of the Ming dynasty through the love story of its two main characters, young scholar Hou Fangyu and a courtesan named Li Xiangjun.
With China under control of a weak Emperor, two officials compete to steer the future destiny of the land. Chiu believes the people are the future of China, while the diabolical Tu wishes to grind the people beneath an iron heel. Tu decides to take out Chiu's family, but one lone infant escapes.
Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.
Two boys meet at an opera training school in Peking in 1924. Their resulting friendship will span nearly 70 years and endure some of the most troublesome times in China's history.
Zeng Hongqi, a rap-loving senior, is forced to lead the opera club for credits. Despite recruitment struggles and opposition from the student union president, an unexpected opportunity leads the club to a crucial competition.
Qing (i.e. Qin) Xianglian was the wife of a man named Chen Shimei, who won the first title of national examination and awarded as husband of the emperor's daughter. Then Qing (i.e. Qin) sues Chen as a murderer who plans to kill his wife and son. In spite of the royal power, gownsman Bao Zhen settles the lawsuit and sentences Chen to serve his head.
The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.
The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.
The Eighteen Darts (Part 2) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.
The Rainbow Pass is a Chinese Opera starring Sammo Hung in a child role
Wan Fei (Joey Yung) is a promising Chinese Opera singer who is secretly in love with Ho Fung (Nicholas Tse). She plans to sing for him from the stage, but, in a tragic accident, dies mid-song. Years later, Wan Fei's ghost returns, and finds that part of her spirit has been reincarnated in the form of Chor-bat (Eason Chan). Wan Fei still longs to sing her song for her lover, and, after much humorous confusion, her dream is fulfilled.
Part one of a two part feature serial following the folk hero Fong Sai-yuk. Both parts are now considered lost films.