Iron-beaked Hen's Sudden Rise to Power(1957)

The Producers(en)

Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

Katinka Polderman: Polderman Draagt een Steentje Bij(nl)

In this comedy show the Dutch comedian Katinka Polderman explains (in songs and stories) how her motherhood influenced her view of the relationship between humans and animals.

Summer Things(fr)

Two couple of friends, one very rich, the other almost homeless, decide to go on Holiday. Julie, a single mother, joins them too. Once at seaside, it starts a complicate love cross among them that will involve also a transsexual, a jealous brother, a Latin Lover and another nervous stressed couple. Not to mention about the daughter of one of them that is secretly in Chicago with one of her father's employees... At the end of the summer, all of them will join the same party...

Brett Wong's Ex-Girlfriends(en)

A revenge-driven high school senior gathers a group of four other women, including a permanently limped former athlete, to plot the murder of their mutual ex-boyfriend, Brett Wong.

Work it Class!(en)

Little Dickie(en)

A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.

There's No Business...(en)

There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.

The Young Girls of Rochefort(fr)

Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military service. Simon owns a music shop, he left Paris one month ago to come back where he fell in love 10 years ago. They are looking for love, looking for each other, without being aware that their ideal partner is very close...

The Peach Blossom Fan(cn)

A Shaw Brothers Chinese Opera based on the Qing dynasty musical play that recounts the death of the Ming dynasty through the love story of its two main characters, young scholar Hou Fangyu and a courtesan named Li Xiangjun.

The Grand Substitution(zh)

With China under control of a weak Emperor, two officials compete to steer the future destiny of the land. Chiu believes the people are the future of China, while the diabolical Tu wishes to grind the people beneath an iron heel. Tu decides to take out Chiu's family, but one lone infant escapes.

Kill the Roach - L'art du geste(fr)

“Kill the Roach” is a dance step improvised by a child in front of his father. They find themselves in the heart of old Paris on a square in Montmartre. While the father tries in vain to seduce passers-by with his mime skills, his son, out of compassion, takes his place by dancing with gestures close to break-dancing. The public is won over. Finally, an incident makes them meet a singer who will allow them to perform on stage during an innovative show, mixing mime, singing and break-dancing.

The Magic Lamp(zh)

Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.

Vienna Blood(de)

Young Count Georg Wolkersheim is sent to the Congress of Vienna to represent the interests of his country, Reuss-Schleiz-Greiz. Tensions arise between the count, his wife Melanie, and their two chamberlains, and when the four attend a court ball, Melanie leaves Georg, assumes the identity of a famous actress, and attracts the affections of Crown Prince Ludwig of Bavaria.

Angels Inc(es)

Carlos happily married. He has two children - Maria Isabel and Dani. During a trip to China he is killed in a plane crash and goes to heaven. After a time, he learns that not everything is ...

BOCCHI THE ROCK! Recap Part 1(ja)

Revisit events from Bocchi joining Kessoku Band to their first successful gig.

It's a Mad, Mad, Mad, Mad World reboot(en)

Eddie Murphy and Martin Lawrence's 'new take' of the 1963 comedy classic 'It's a Mad, Mad, Mad, Mad World', currently in development.

Farewell to a Warrior(zh)

Shaw production

33 ⅓ Revolutions per Monkee(en)

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Zet maar op de Rekening(nl)

Merrily We Roll Along(en)

A live recording of the 2024 Tony Award-winning Broadway revival of Stephen Sondheim and George Furth's musical, filmed at the Hudson Theatre in New York City. Franklin Shepard is a talented Broadway composer who abandons his theater career and all his friends in New York in order to produce films in Los Angeles. The story begins at the height of his Hollywood fame and moves backwards in time, showing snapshots of the most important moments in Frank’s life that shaped the man he is today.