Leher - The Wave of Empowerment(NaN)
A visual journey into the personal life and battles of a group of acid attack survivors in Delhi and suburbs against stigmas and prejudices in the Indian society
Movie: Leher - The Wave of Empowerment
Video Trailer Leher - The Wave of Empowerment
All 1 videos
Leher - the wave of Empowerment I Trailer - Trailer
Similar Movies
James Bond in India(en)
The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.
Lighthouse(en)
After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
Longing(hi)
Against the backdrop of Partition, independent India’s first hockey team defeats England, their erstwhile coloniser, to win the Gold at the 1948 London Olympics. Six decades later, when Nandy Singh, a member of this iconic team suffers a stroke, his tenacious struggle to recover, inspires his daughter to retrace his journey. Using archival footage and interviews with teammates, she reveals lives shaped by the Gold, and by Partition that made them refugees. Revealed also is a friend in Pakistan never spoken of before. Her journey in search of him morphs into a quest for the lost ‘watan’ (homeland).
Information for/from Outsiders: Chronicles from Kashmir(en)
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
Top Gear: India Special(en)
The gang embarks on a trade mission to India. Equipped with three old British cars and a range of uniquely British products, they set off on an epic road trip across one of the world's most fascinating and challenging countries.
Machines(hi)
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
Flow: For Love of Water(en)
From both local and global perspectives, this documentary examines the harsh realities behind the mounting water crisis. Learn how politics, pollution and human rights are intertwined in this important issue that affects every being on Earth. With water drying up around the world and the future of human lives at stake, the film urges a call to arms before more of our most precious natural resource evaporates.
Writing with Fire(hi)
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
Rromani Soul(en)
RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.
State Entry into Delhi of Lord Curzon, the Viceroy(en)
Film showing the Viceregal party entering Delhi on lavishly decorated elephants, as part of the Coronation durbar of 1903.
Arrival of the Earl of Lytton at Calcutta(en)
Lord Lytton takes up the post of Governor of Bengal.
An Indian Day(en)
Director S. Sukhdev traveled the length of India to gather footage for his impressionistic portrait of the country in the year 1967. The film produces the same effect on the viewers as a month-long visit to India, a sense of having seen everything and a sense of having seen nothing, both at the same time.
India: Kingdom of the Tiger(en)
Journey across India, a breath taking land shaped by a myriad of cultures, customs and traditions. Come face to face with the Bengal Tiger and explore the work of this majestic creature with stunning clarity. Soar over blue-hazed Himalayan peaks and sweep down towards the thundering Indian Ocean as we celebrate the power and beauty of India's greatest ambassador - the mighty Bengal Tiger.
Ask the Sexpert(en)
A sex columnist gains popularity even while a ban on comprehensive sex education in schools is adopted by approximately a third of India’s states.
A Crow Has Been Calling for a Whole Day(zh)
Originally created as an installation for the third Shenzhen Independent Animation Biennale this film is a gripping diary and travelogue of a trip the filmmaker made through India. She tries to grasp India’s love and thoughts, the sentiments and everyday conditions and the experience of disease and death.
Aravani Girl(en)
Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.
Is There Any Place For Me, Please?(cs)
Martina was doused with acid by her ex-boyfriend, causing third-degree burns to the upper half of her body and almost complete blindness. The documentary portrait follows her life story after this life-changing attack – coping with the loss of physical attractiveness, the fear of a world she cannot see, and her search for a new meaning in life. Martina's story bears all the hallmarks of a good biopic. It presents a strong central character going through difficult situations and finding happiness despite many pitfalls. But what sets it apart from mainstream productions is the directness with which Martina speaks to us and its potential to break through many taboos.
The Last Trapper(fr)
Norman is not just an admirer of nature, he's a part of it. He survives the harshness of the climate and the wildlife by coexisting with it. With his wife Nebraska, they live almost entirely off the land, making money by selling their furs.