The Kumbha Mela: Same As It Ever Was(NaN)
Same As It Ever Was
This is a silent film, with a musical soundtrack, shot during a boat journey along the waterways of Kashmir that took him to the festival. Using the simplest equipment, a Super-8-camera with a special lens, and directing his attention at simple things--the rhythmic splashing of a heart-shaped oar, the sparkle of evening sun on still waters--Albert Falzon has captured the timeless slow motion of Northern India.
Movie: The Kumbha Mela: Same As It Ever Was
The Kumbha Mela: Same As It Ever Was
HomePage
Overview
This is a silent film, with a musical soundtrack, shot during a boat journey along the waterways of Kashmir that took him to the festival. Using the simplest equipment, a Super-8-camera with a special lens, and directing his attention at simple things--the rhythmic splashing of a heart-shaped oar, the sparkle of evening sun on still waters--Albert Falzon has captured the timeless slow motion of Northern India.
Release Date
Average
0
Rating:
0.0 startsTagline
Same As It Ever Was
Genres
Languages:
No LanguageKeywords
Similar Movies
State of Bacon(en)
State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.
Fascinating India(de)
"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.
A Road in India(en)
Life on the road in India, showing the traffic, people and animals.
Temples of India(en)
Hindu temples at Benares and Belur and the mythologies associated with them.
Mind of Clay(hi)
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
Arrival(hi)
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
The Ramayana(en)
The Little Ballet Troupe of Bombay performs a "puppet ballet" of the Hindu epic, the Ramayana.
The Last Days of the Raj(en)
Lord Louis Mountbatten arrives in India in March 1947 as Britain's Last Viceroy. He is committed to transfer administrative and authoritative power to an independent and sovereign India. Six months later India indeed was set free, but it had also been partitioned and overwhelmed by an orgy of sectarian violence involving Hindus, Muslims and Sikhs.
A Punjab Village(en)
Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.
Ruins of Delhi(en)
Attractive travelogue filmed in and around Delhi's Qutb complex.
Villenour (French India: Territory of Pondicherry)(xx)
Gorgeously dreamlike colour images of (then) French India – present-day Puducherry.
Mahatma Gandhi Noa Khali March(xx)
Remarkable amateur footage of Mahatma Gandhi shot by his great nephew in 1947.
Information for/from Outsiders: Chronicles from Kashmir(en)
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
An Indian Day(en)
Director S. Sukhdev traveled the length of India to gather footage for his impressionistic portrait of the country in the year 1967. The film produces the same effect on the viewers as a month-long visit to India, a sense of having seen everything and a sense of having seen nothing, both at the same time.
Cairo Jazzman(en)
A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.
Machines(hi)
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
Mexican Police on Parade(en)
This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.