Filmmaker River Hagg travels to war-torn Syria, in hopes of documenting the war between the YPG and ISIS. He eventually finds himself in a volunteer unit, the only medics on the battlefield.
Filmmaker River Hagg travels to war-torn Syria, in hopes of documenting the war between the YPG and ISIS. He eventually finds himself in a volunteer unit, the only medics on the battlefield.
2017-11-11
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On the streets they call cash dead presidents. And that's just what a Vietnam veteran is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency!
"Nû Jîn", New Life, with the slogan ' Woman is life. Life is resistance and resistance is Kobanê', depicts the daily life of women guerillas, Elif Kobanê (18), Vîyan Peyman and Arjîn, joining in the Women's Protection Units (YPJ) in their battle against ISIS. The documentary relates the ISIS assault of 15 September 2014 and the five-month resistance by the YPJ and People's Defense Units (YPG) through the lens of three women fighter
When ISIS took their homes, families and city, one group of men fought to take it all back. Based on true events, this is the story of the Nineveh SWAT team, a renegade police unit who waged a guerrilla operation against ISIS in a desperate struggle to save their home city of Mosul.
This intimate documentary follows a group of Syrian children refugees who narrowly escape a life of torment and integrate into a foreign land.
In the 1990s many people in Kurdistan were taken into custody and interrogated under torture; their killers disposed of the bodies by throwing them out of helicopters, or burying them in acid-filled wells. Thousands were murdered/disappeared by paramilitary forces—such as Jitem and Hizbul-Kontra—that were financed and supported by the state, though they have always stuck to the line: “We didn’t do it.” The documentary looks at the case of seven people, including four children, who were disappeared from the town of Kerboran [Dargeçit] in 1995, and tells the story of their families’ tireless search for their bones
A group of Malayali nurses stranded in Iraq, must survive their capture by the extremists and reach out to the rescue team headed by the Indian government.
September 2016: Stacey Dooley embeds herself on the frontline with the extraordinary all-female Yazidi battalion, who are fuelled to take revenge against the so-called Islamic State. As the battle to take Mosul from ISIS advances in Northern Iraq, in this extraordinary film for BBC Three, Stacey finds these young women's lives have been transformed by a desire to avenge their loved ones who were murdered by Isis.
An attempt to re-contextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence.
Winner of the Grand Jury Documentary prize at the Sundance Film Festival, Syrian filmmaker Feras Fayyad’s breathtaking work — a searing example of boots-on-the-ground reportage — follows the efforts of the internationally recognized White Helmets, an organization consisting of ordinary citizens who are the first to rush towards military strikes and attacks in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders — Khaled, Subhi, and Mahmoud — as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee or stay and fight for their country?
In August 2014 an Islamic State massacre of unimaginable proportions took place during the rapid invasion of the Yazidi people in Sinjar, northern Iraq. Young Yazidi women were separated from the old and taken to the Galaxy Cinema in Mosul. There they were paraded, selected, enslaved, tortured and systematically raped. Some were only 11 years old. Young Yazidi women were separated from the old and taken to the Galaxy Cinema in Mosul. There they were paraded, selected, enslaved, tortured and systematically raped. Some were only 11 years old. Yazidis, including the female victims, believe that sexual contact with a non-Yazidi, even through rape, results in a loss of Yazidi identity. The film asks what it means to be a survivor of genocidal violence and slavery in 2016. How does one restore the girls’ dignity and help them heal? How do the women get justice for these heinous crimes? The film delves into the lives of the young Yazidi women. This is their story.
The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.
The inside story of Mohammed Emwazi's journey from being an ordinary London boy to becoming terrorist 'Jihadi John', and the intelligence operatives' attempts to catch him.
The eight-year Iran-Iraq War was one of the most brutal conflicts to devastate the region in the 20th century. Zahed was 13 years old when he enrolled in the Iranian army. Najah was 18 when he was conscripted into the Iraqi army, and he fought against Zahed in the Battle of Khorramshahr. Fast forward 25 years, a chance encounter in Vancouver between these two former enemies turns into a deep and mutually supportive friendship. Expanded from the 2015 short film by the same name.
A powerful investigation into the political and criminal enterprise of kidnappings as ISIS rose to power in war torn Syria. It inter cuts exclusive footage with interviews of negotiators, investigators, fixers and even a used car salesman who are caught up in the confusion.
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
Bahar, the commanding officer of the Daughters of the Sun, a battalion made up entirely of Kurdish female soldiers, is on the cusp of liberating their town, which has been overrun by ISIS extremists.
The story of iconic Syrian peace activist Ghiyath Matar whose brutal torture and death at the age of 26 outraged the international community and erupted into one of the most violent uprisings in modern history.