Danielle Mitterrand, une certaine idée de la France(2019)

J'écris dans l'espace(fr)

Un racisme à peine voilé(en)

October 2003, Alma and Lila Levy are excluded from the Lycée Henri Wallon in Aubervilliers solely because they were wearing a headscarf. What follows is a deafening political and media debate, justifying in most cases the exclusion of girls wearing head-scarves to school. February 2004, a law was eventually passed by the National Assembly. "A thinly veiled racism" is about this controversy since the affair of Creil in 1989 (where two schoolgirls were excluded for the same reasons) and attempts to "reveal" that maybe what hides behind is the desire to exclude these girls. This film gives them a voice as well as others - teachers, community activists, feminists, researchers - gathered around the group "A School for You-All" fighting for the repeal of this law they consider sexist and racist ... This movie was censured in Septembre 2004 in France.

What Is a Good Tax?(fr)

Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.

Tokyo Kurds(ja)

In the 1990s, fearing persecution from the Turkish government, about 2,000 Kurdish refugees of Turkish nationality came to settle in a suburb of Tokyo. Here live Ohzan (18), Ramazan (19) and Memet (38). This documentary focuses on these three young Kurds in Japan.

Mylène Farmer, sans contrefaçon(fr)

Planet Mokka(en)

Portrait of swiss based Club "Café Mokka" and its club manager MC Anliker

Dancing with Myself(de)

Der Glanz von Berlin(de)

The King Without a Crown(en)

This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.

Barluschke(de)

The documentary relates how in the second half of the 20th century the agent Berthold Barluschke was first a henchman of the State Security Service of the GDR and then of the West German Federal Intelligence Service.

Die Markus Family(de)

This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.

Daniel Timsit, l’Algérien(fr)

Giscard, de vous à moi : Les Confidences d'un président(fr)

Les yeux dans les bleus 2(fr)

Deborah Stratman to Nancy Holt: For the Time Being(en)

A video letter to Nancy Holt, made in homage to a shared interest in terminal lakes, framed views, monuments and time. Filmed on and around the Great Salt Lake, Mono Lake and Meteor Crater.

Björn Gidstam - En känd doldis(sv)

Giscard, l'impossible retour(fr)

Somme 1916, la bataille insensée(fr)

Rester là-bas(fr)

Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.