2000-12-03
6
When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.
A few years ago, a mysterious serial-killer caused panic on Crippen High School. The killer was never caught. A movie company, Cosmic Pictures, has decided to make a feature movie about these events - on location, at the now abandoned school. Since members of cast and crew disappear without a trace, it seems as if history is repeating itself...
Dating within different cultures and being open to all religions, Ethan must deal with constant roadblocks. From First Nations to South American, his journey to find love in Toronto is nothing but complex. He faces discrimination and depression but always remains optimistic.
Lonely widow Joyce rents out a room in her house and becomes dangerously obsessed with one of her guests.
After inheriting the family mortuary, a pyrophobic mortician accidentally exposes hundreds of un-cremated bodies to toxic medical waste. As the corpses re-animate, the mortician's inheritance-seeking younger brother unexpectantly shows up, stumbling upon a full zombie outbreak!
Friends battle former U.S. presidents when they come back from the dead as zombies on the Fourth of July.
Young art student Hideo paints an unnerving portrait of Tomie, who whispers that she loves him. Inexplicably, he reacts by stabbing her to death with a painting trowel. Two friends, Takumi and Shunichi, arrive on the scene and help him dispose of the body. To cheer him up, the boys take the unwitting murderer to the nearest bar for a party... but a mysterious girl named Tomie shows up, bearing a few odd physical resemblances to the dead girl in the ground.
Five years after the all-out war between the Sanno and Hanabishi crime families, former yakuza boss Otomo works in South Korea for Mr. Chang, a noted fixer. When tensions rise between Chang and the Hanabishi, and Chang's life is endangered, Otomo returns to Japan to settle things once and for all.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
A story about the man who is confused with his love life finds solace in his birthplace with his childhood love.
Set 100 years after the events of A Chinese Ghost Story, Buddhist Bai Yun and his disciple Fong journey through a small town to transport a golden idol of Buddha. However, local thieves thwart their journey, sending them to take shelter at the ghostly Orchid Temple.
The history of cinematic sound, told by legendary sound designers and visionary filmmakers.
Shot at the Olympic Stadium in Seoul during the BTS World Tour ‘Love Yourself’ to celebrate the seven members of the global boyband and their unprecedented international phenomenon.
A malevolent rock star kidnaps a female singer to force her to participate in the summoning of a demon and her band must help her stop him.
Top Nazi officials, intent on rooting out traitors and those in the military who may be plotting to overthrow Adolf Hitler, recruit and train a group of beautiful prostitutes whose mission is to use any means necessary to uncover plots against the Fuhrer.
Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.
Irrepressible French comedian Fadily Camara weaves jokes, vivid characters and physical comedy into a lively stand-up show at La Cigale in Paris.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
The wicked Badiyanu has come to capture all Earth's children to gain enough power to absorb the planet in her Black Dream Hole. The Black Dream Hole is in Badiyanu's castle and absorbs the dream energy from children. The more children Badiyanu kidnaps, the larger the dream hole gets. The Sailor Team must save Earth's children and prevent the Black Dream Hole from enveloping the entire planet!
Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.
In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.
This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Caroline Sturdy Colls, a world leader in the forensic investigation of Nazi crime scenes, is chasing clues to an unsolved case: a concentration camp that existed on the British island of Alderney. Witnesses and survivors claimed that thousands died there, but only 389 bodies have ever been found. Under heavy restrictions imposed by the local government, which may not want its buried secrets revealed, Colls must uncover the truth using revolutionary techniques and technologies.
For the 75th anniversary of the liberation of Auschwitz, CNN’s Wolf Blitzer looks back through the eyes of those who were imprisoned there.
Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.
Germans colonized the land of Namibia, in southern Africa, during a brief period of time, from 1840 to the end of the World War I. The story of the so-called German South West Africa (1884-1915) is hideous; a hidden and silenced account of looting and genocide.
Despite his horrible experience as a prisoner of war during WWII, Frank Maselskis stays in the military and goes on to fight in Korea, where he participates in the brutal battle of the Chosin Reservoir. Upon returning home, Frank struggles to live a normal life while raising his daughters.
After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.
A year ago, on 29 December 2019, prisoners were exchanged with the self-proclaimed ‘LPR’ and ‘DPR’. Among the Ukrainians who returned home were journalist Stanislav Aseyev, tanker Bohdan Pantiushenko, and human rights activist Andriy Yarovoi. Four months earlier, on 7 September, Crimeans Oleg Sentsov and Oleksandr Kolchenko were released from Russian colonies. We spoke to the former prisoners about their first year of freedom.
In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the "exemplary conditions" under which prisoners of war were kept, and to "soften up" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.
A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance.
One journalist described it as a chance "to see justice catch up with evil." On November 20, 1945, the twenty-two surviving representatives of the Nazi elite stood before an international military tribunal at the Palace of Justice in Nuremberg, Germany; they were charged with the systematic murder of millions of people. The ensuing trial pitted U.S. chief prosecutor and Supreme Court judge Robert Jackson against Hermann Göring, the former head of the Nazi air force, whom Adolf Hitler had once named to be his successor. Jackson hoped that the trial would make a statement that crimes against humanity would never again go unpunished. Proving the guilt of the defendants, however, was more difficult than Jackson anticipated. This American Experience production draws upon rare archival material and eyewitness accounts to recreate the dramatic tribunal that defines trial procedure for state criminals to this day.
In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.
The story of black and mixed race people in Nazi Germany who were sterilised, experimented upon, tortured and exterminated in the Nazi concentration camps. It also explores the history of German racism and examines the treatment of Black prisoners-of-war. The film uses interviews with survivors and their families as well as archival material to document the Black German Holocaust experience.
Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.