Cole Porter times three! Al Kemp and His Orchestra swing "Begin the Beguine," Emil Coleman and His Orchestra sell us "Just One of Those Things," and Skinnay Ennis and His Orchestra love some "(Let's Do It) Let's Fall in Love."
Self (archive footage)
Self (archive footage)
Cole Porter times three! Al Kemp and His Orchestra swing "Begin the Beguine," Emil Coleman and His Orchestra sell us "Just One of Those Things," and Skinnay Ennis and His Orchestra love some "(Let's Do It) Let's Fall in Love."
1943-05-22
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Helen Young sings, and Johnny Long leads his orchestra as they perform a song.
A music documentary about Olivier Messiaen's transcendent masterpiece, that he composed in a World War II prison camp, and debuted there on January 15, 1941. This film was completed on the 75th Anniversary of that historic premiere, and features "The President's Own" United States Marine Band Ensemble performing in rehearsal and at The Phillips Collection, in Washington, D.C. (Note by H. Paul Moon)
A metalhead gets passed down a satanic guitar that riffs to shreds.
Short film accompanying the 'Adult Baby' album by Kazu Makino. A giantess leaves the sea in order to live as a human and fall in love, but must return to the sea before she returns to her true form.
Animated interpretation of the Bizet opera, second in a trilogy.
Animated interpretation of the Bizet opera, first in a trilogy
After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.
This is a Hungarian cult animated short musical starring two stand up comedians / singers: Hofi Géza and Koós János. Directed by Nepp József, a well known Hungarian cartoon director, the story revolves around two cats, who try to catch some mice in the house. With sporadic dialog, the emphasis is on the parody of international and Hungarian evergreens of the era.
The action of the film takes place in winter Kyiv. After a sleepless night, a young composer goes for a walk through a snowy city in search of inspiration for a new melody; its route passes against the background of many sights of the capital. On the way, the hero observes city life and nature, people, near the maternity hospital he pulls out a happy young father who has fallen into a coma, and he notices a girl in a trolleybus. She is in a hurry in her affairs, and the enthusiastic composer follows her relentlessly. And every sound he hears becomes part of a new melody for him. The finale of the film is a panorama of Kyiv to the song "Two Colors".
Set in 1947, Knights of Swing is a feature film that chronicles a group of young jazz musicians whose dream is to form a “really swingin’ Big Band”. Unfortunately, things prove much more complicated when the community objects to the diversity of the band. Alliances form, and lines are drawn. What follows is soul searching, uplifting, and through music, our story illuminates forgiveness, healing and unconditional love.
A young writer struggling to create a good story meets a cute waitress and imagination and fantasy blossom.
Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.
When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.
A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
A cat named Lorenzo is dismayed to discover that his tail has developed a personality of its own.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.